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Rose Yatimah

Rose Yatimah

Acting

Known For

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Movies Lenteng starling is a Malay film published in Malaysia in 1961. The film starling Lenteng published in the form of black and white film without color. It was published by Ho Ah Loke Loke Wan Tho and through reputable publishing Cathay-Keris Film Productions. Movies Starling Lenteng also loaded some Malay songs that are considered classics like starling song Lenteng submitted by Rosiah Chik and song Mak Host. This filim starring together Latifah Omar Latiff Yusof as heroin and directed by Salleh Ghani. Tengku Puteri is a King's daughter that pass away. The queen want her to marry Panglima Rambai but she didn't like him as he is a cruel and mishievous man. At the same time a prince that is a guest to the place also admire her but her heart is for Jalak Lenteng. Who is Jalak Lenteng?

Jalak Lenteng

1961Movie
Siti Zubaidah
9.0

Siti Zubaidah is based upon the 19th century poem 'Syair Siti Zubaidah Perang Cina'. It centers on Siti Zubaidah, the wife of Sultan Zainal Abidin, who is left defenseless after her husband is taken hostage by a Chinese empress. She eventually allies herself with Princess Rukia of Yunnan, who had fled her own palace under threats of sexual assault. Taking matters into their own hands, they adopt male identities and lead a military conquest across China to rescue the Sultan. Directed by B. N. Rao and starring Maria Menado, the Cathay production borrowed from both of its niches at the time: the film language and costume styles of Malay cinema and Chinese wuxia films, resulting in an imagined reality fusing both visual cultures. At the core of the myriad garbs, armour, accessories and makeup donned by the characters, the tale chronicles the adoption of transformative identities to overcome adversity, enact justice and revenge.

Siti Zubaidah

1962Movie
Datok Merah’s Grandson
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A period drama with Malay symbolisms, myth and folklore, the title Chuchu Datok Merah points to the mental image Malays have of themselves as descendants of Hang Tuah, the legendary Malay warrior of Malacca. Awang Janggut is very much a pseudo-warrior. Instead of a “keris”, a warrior’s weapon, he owns a prize-winning rooster. His battlefield is the cock fight arena. Home is a big but empty house inherited from his ancestor, and prefers living in poverty to working. The closest he comes to the high life of a warrior is when a rich businessman employs him as a bodyguard after he prevents hooligans from taunting the latter’s daughter Siti. Despite knowing Awang is married, Siti continues to flirt with him, causing him to leave his pregnant wife alone. She eventually falls sick and has a miscarriage. The film is a social criticism of people who rest on their laurels and ancestry instead of working for themselves. It is also one of the finest examples of the anti-hero in Malay cinema.

Datok Merah’s Grandson

1963Movie