Julia Martínez Rubio

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

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Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

When a prominent researcher in the field of human memory returns home, he stumbles upon the fact that a man's past, as he remembers and tells it, is often nothing but fiction.

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.

Deep knowledge of a person can be overwhelming. Even in the most trivial situations it is possible to find peaks of tension that appear from the underground. Vidrios intends to explore the universe of interpersonal relationships through a series of scenes of isolated appearance, with anonymous characters that are constantly updated and dialogue with each other until they burst a moment in the absurd.

Mario, a university professor, uses his research on the writer Ezequiel Martínez Estrada to escape from his past. Settled in Bahía Blanca, the new city seems to be the ideal place for him to forget, until a chance encounter with an old friend unleashes the worst of dangers.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Inspired by true events. Buenos Aires, 1979. Bill Evans, the great jazz pianist, arrives in Argentina for a series of concerts. One of them is in San Nicolás, a town in the province of Buenos Aires. Evans (a heroin addict for twenty years), along with his two musicians and his manager, get into the Argentine businessman's car. On the day of the concert, they learn they will be playing during the "Miss Winter 1979" pageant. Out-of-tune piano, boxing, drugs, death, memories, whiskey, and empanadas. In a town similar to his childhood, the impossible and the true collide for Evans.

A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization, invited by Helena, who plans something humiliating for one of the guests.

Julio starts a new job at a small bookstore. Little prudent, he handles with both things as if he knew them from always. This will complicate his great project: to make an apocalyptic photo-roman.

A quadriplegic woman undergoes unusual treatment to regain her mobility and also gain other skills.

A woman who comes to transform the city. Two friends now at odds forever. A man who invades apartments to film women from afar. A writer who plagiarizes books and a translator who discovers it. A UFO epidemic in an unbearable summer.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

Wake up in the morning. He feels bad. He brushes his teeth after vomiting. Record the house reviewing drawings, a model and a written photo that makes him smile. He returns it to the cork of old familiar images. Make breakfast for two. Waits.

A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It and suddenly Luisa, who is playing Rosalinda, makes a bad decision.

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

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Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.