
Mahmud June
Acting
Biography
Dato' Mahmud Jun or better known as Mahmood June (20 January 1921 – 14 February 2002) is a Malaysian actor who is well known for his fierce look and spontaneous act in the classic black and white Malay films. His real name is Mahmood Bin Derani. He was known for his potrayal character in Jalak Lenteng, Sri Mersing dan Sultan Mahmud Mangkat Dijulang. He died on 14 February 2002 at the age of 81 at his home in di Kampung Laksamana, Selayang,Selangor. before that, he was treated to Selayang Hospital Cardiac Treatment Unit due to asthma and lung failure.His body was ladi to rest in Islamic cemetery Sungai Tua, Selayang,Selangor,Malaysia.
Known For

Hang Tuah and his four sworn brothers, Hang Jebat, Hang Kasturi, Hang Lekir and Hang Lekiu, has pledged to protect the Sultan of Malacca. With their dedication, the five brothers rose quickly from the ranks, especially Hang Tuah whom has proven himself to be an able warrior and leader. When Hang Tuah managed to persuade Tun Teja to marry the Sultan of Malacca, the Sultan was overjoyed and rewarded Hang Tuah with full honours. The old guards felt threatened and envious, decided to frame him.
Hang Tuah

Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.
Nasib Do Re Mi

Based on the royal and political events during the heyday of the Malacca Sultanate. A member of the Sultanate, Megat Datuk Seri Rama, successfully defeats a group of pirates, and rescues a local beautiful woman in the process. The king, Sultan Mahmud, was delighted with his victory for his kingdom and promotes Megat Datuk Seri Rama to Rear Admiral Datuk. This leads to resentment and jealousy from another member of the court, Bija Tun Ali, especially after Rear Admiral Megat Datuk Seri Rama marries the woman he rescued. Bija Tun Ali then leads a conspiracy against him which ultimately leads to tragedy and upheaval in the kingdom. Written by mahajanssen
Sultan Mahmood Mangkat Di-Julang

Do, who doesn't take much consideration about his marriageis circled with so many debts. He lied to his mother in law to get some money. Do and his wife eventually got a divorce and Do moved out to Kuala Lumpur to start a new life. Re on the other hand has a wife who is working at a night club whereas he stays at home and takes care of the house chores. Due to re's negligent behaviour his wife's money was stolen and he was told to leave the house bringing him dragging himself to the big city. Mi, a bachelor who is head over heels with the girl who is staying across his house often loans him some money. While Mi was out looking for a job he helped out capturing the theif who snatched a lady's handbag alongside with Re and Do who was in the area and helped out as well. They became close friends since then.
Do Re Mi
Puteri Gunong Ledang (or The Princess of Mount Ledang) is a 1961 Malay period film directed by S. Roomai Noor and based on the Legend of Puteri Gunung Ledang. The film introduces actress Elaine Edley in her first film role.
Puteri Gunong Ledang

A village comes alive with fear when a nefarious ‘oily man’ terrorises women in the dead of night. At their wits end, the local police enlist the help of talented police inspector Dasuki to trap and end the oily man’s mischief. Orang Minyak was digitally restored by the Asian Film Archive in 2018 using a 16mm black & white composite release print from its collection.
The Oily Man

Saari a teacher in Ulu Klang school also play music at the Copacabana Nite Club because of his love for music. This led him back to his room on late morning and often fall asleep while teaching. Since it had been six times found asleep in the classroom by the headmaster (professor Basar), the teacher Saari has been given an ultimatum by Mr Basar.
Masam-Masam Manis

Lieutenant Arif and Prebet Badul is a member of the army. After several successful operations, they are given leave. When Arif returned to his village, he finds the Rafidah and fell in love with her. Arif then ask permission from the Ministry of Defence of the country to marry Rafidah, but leave was not long and had to go back to duty to defend the country from enemy threats.
Darah Satria

The film tells the story of Commander Badul who lives with his mother on an island. Badul desire to travel to a different island. During the journey, Badul met an Indonesian trader with his sister. Arriving at the village, the brother of Indonesian traders staying with heads left in situ. Meanwhile, a young man in the village merchants enamored with her and took her. Many young men are trying so hard to save the merchant brothers from her captors but failed because the kidnappers have high Silat. Badul hearing this trying to save sister merchants. Did the Badul in his desire to save her?
Panglima Badol
Datuk Karim Jaya death is good news to Datuk Bandung and his followers who want to seize power.
Lela Satria
Movies Lenteng starling is a Malay film published in Malaysia in 1961. The film starling Lenteng published in the form of black and white film without color. It was published by Ho Ah Loke Loke Wan Tho and through reputable publishing Cathay-Keris Film Productions. Movies Starling Lenteng also loaded some Malay songs that are considered classics like starling song Lenteng submitted by Rosiah Chik and song Mak Host. This filim starring together Latifah Omar Latiff Yusof as heroin and directed by Salleh Ghani. Tengku Puteri is a King's daughter that pass away. The queen want her to marry Panglima Rambai but she didn't like him as he is a cruel and mishievous man. At the same time a prince that is a guest to the place also admire her but her heart is for Jalak Lenteng. Who is Jalak Lenteng?
Jalak Lenteng

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor
Tiger Ghost

Hafiz is a young journalist who tries to help his girlfriend, Ruby, to overcome her bad and traumatic childhood experiences. On the other hand, Arif, a farmer, is struggling to prevent his plot of land from being acquired by land developer. The developer tries very hard to make him give up the property by sending his men to harassed and vandalized the land.
Langit Petang

Mahsuri is a Malay film produced in Singapore in 1959.It was produced in Black and white. Ti was based on a local Malay folklore.. The script was written by the first Prime Minister of Malaysia, Tunku Abdul Rahman Putra and was bought by Cathy Keris at RM10,000.
Mahsuri

Siti Zubaidah is based upon the 19th century poem 'Syair Siti Zubaidah Perang Cina'. It centers on Siti Zubaidah, the wife of Sultan Zainal Abidin, who is left defenseless after her husband is taken hostage by a Chinese empress. She eventually allies herself with Princess Rukia of Yunnan, who had fled her own palace under threats of sexual assault. Taking matters into their own hands, they adopt male identities and lead a military conquest across China to rescue the Sultan. Directed by B. N. Rao and starring Maria Menado, the Cathay production borrowed from both of its niches at the time: the film language and costume styles of Malay cinema and Chinese wuxia films, resulting in an imagined reality fusing both visual cultures. At the core of the myriad garbs, armour, accessories and makeup donned by the characters, the tale chronicles the adoption of transformative identities to overcome adversity, enact justice and revenge.
Siti Zubaidah

Badul pretending to be a rich man from Sarawak and later married Milah. After his marriage he uses trickery to deceive the rich by borrowing too much money. When you manage to get the money he had disappeared.
Si Badul

The movie adaptation based on the legend of Raden May Ayu. It follows the original tale rather closely, though a few variations of the legend do exist. The essence of each of the variations is more or less the same: Radin Mas Ayu is the baby daughter of Pangeran (brother of the Sultan of Java) and a court dancer; she is forced to go on exile to Temasek with his father after the Sultan disagrees with her parents' marriage and burns their house down, killing her mother. Radin Mas Ayu grows up to be a pious and filial daughter, but is despised out of jealousy by her stepmother. She eventually sacrifices herself as she shields her father from a murderous attack.
Raden Mas

The story tells about Jaafar who works in Kota Kinabalu as a driver, cook and a gardener. He very much want to go to Kuala Lumpur and with the help of his friend Hamid we try to sweet talk his boss.
Gila-Gila

Karim (Abdullah Chik) and Khatijah (Rose Yatimah) are undergraduates at the University of Malaya pursuing degrees in Medicine and History respectively. They are young, progressive in their thinking, and very much in love with each other. On a visit back home, Khatijah discovers that she is arranged to be married, without her knowledge, to the local village 'lebai' (healer), Din, who is a recent widower and father of six. Khatijah is torn between her fledging love for Karim and her adherence to centuries of tradition. Determined to win the hand of Khatijah, Karim sets aside his prejudiced view of the "mystical arts" and travels deep into the wilderness of Malaysia to study under a respected traditional healer, Pak Salleh (Dollah Sarawak).
Tunang Pak Dukun

The film was directed by Salleh Ghani in 1963. This film is his second directorial film at Studio Merdeka.