Acting
Film Gila Talak is a Malay film published in Singapore which was then part of Malaya in 1963. Film Gila Talak published in the form of black and white film without color. The film directed by director of Gila Talak Hussein Haniff in 1963. The film is also a continuation of the movie "Masuk Angin Keluar Asap" (1963).
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Mat, Wahid and Badak are three happy-go-lucky friends. All unemployed, the men struggled to make ends meet. One stormy night, a lost girl seeking shelter wanders into their home and disrupts the otherwise peaceful lives of the bachelors. Despite their inability to understand each other, the trio develops a bond with the girl in their attempt to sell her away for money. In a side plot, housewife Lela awakes to find her husband and daughter missing from the bed and frantically heads out in search of answers.
Dayang an actor suffering from the decline due to increasing age and try to change the appearance to look younger. Film Muda Mudi is a Malay film which was published in Malaysia in 1965. The film Muda Mudi issued in the form of black and white film without color. Muda Mudi film directed by director M. Amin in 1965.
One alien crashed in a small village in Malaysia, create havoc with the villagers. To make it worst, there is some bad alien who pursue him.
A scientist who is very well known for his very exaggerated inventions among the villagers created a plane one day and brings along his very pregnant wife to follow along. It was pretty much bad timing when his wife gave birth to a child and adding more to their unfortunate state the plane malfunctioned and landed in the woods. The child surprisingly survived who was in the end being brought up by goats.
”Tiga suku”, which literally translates into “three quarters”, is a Malay term used in the context of describing crazy, whacky or oddball-like behaviour; of being mentally “not quite there”. And “Mat Tiga Suku” is indeed an eccentric film that seeks to subvert our usual sense of logic, decorum and good taste. In this film, Mat Sentul is a poor and helpless man, lives in a house that talks to him, and daydreams about wealth and pretty princesses. It is an episodic adventure that follows the slapstick antics of Mat Sentul who, among many pranks, moves the bus-stop at his will, halts an aeroplane that does not give way, and pretends to be an office worker, a barber and a doctor.
Tengku Mahkota donation Norman who refuses to marry the daughter of an enemy state ayahndanya escape from the castle. During the run, the donation enamored with Harum Cendana and marry her. One day, Harum Cendana abducted. Donations common friend, Chelorong and Cheloreng try to find it.
The original "Pontianak" was made in 1957 directed by B.N. Rao and starred Maria Menado.The film was such a hit that in quick succession, two sequels were made "Dendam Pontianak" aka "Revenge of Pontianak" later in the same year (1957) and "Sumpah Pontianak" aka "The Curse of Pontianak") in 1958,both with Maria Menado."Dendam Pontianak" started the trend of introducing more than one supernatural being into the story,the other character being an old witch Nenek Kebayan(The Old Woman of the Forest)and by the time "Sumpah Pontianak" was made that had increased to four-female vampire Pontianak,an Orang Hutan(Wild Forest Man),a kind of bird-lizard creature and a Hantu Raya or "King Ghost"."Sumpah Pontianak" is an entertaining Malay horror movie with cheap special effects.The main female character Comel is infected by been infected with sumpah pontianak,the curse of the vampire and the villagers begin to die!
It tells the story about the adventures of Taj and his friend Mubarak in search of the Bakawali Flower to cure the eyes of the King who suddenly went blind when he saw Taj's face. He went through many trials and temptations during the adventure including from a charismatic witch (Princess Jenuh Hati). Finally he met the Bakawali Flower which can only be found in the forbidden garden belonging to Princess Saharazad which is strictly controlled by the fierce Jinn
Filem about Kamil a son of a rich man. His father didn't like him to be fooling around girl especially low status girl. One day a kid appear at a park and pointed kamil as his father.
Mr. Wahid served as General Manager at a construction company. Employees consisting of cleaners, cooks, clerks and employees of the dwarf. The company has bought a piece of land to build a house, but the sites are occupied by a young widow named Rokiah, and his sister Jamilah. Mr. Wahid fell in love with Rokiah, while Rokiah sister, Jamilah love with Mr. Wahid son named James. Mr. Wahid finally prohibit Jamilah maintain ties with his son James. Mr. Wahid has been known to act by Yusni and Mak Enon which intended to report the matter to Tuan Besar, the actual owner of the company.
Datuk Karim Jaya death is good news to Datuk Bandung and his followers who want to seize power.
Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.
Based on the royal and political events during the heyday of the Malacca Sultanate. A member of the Sultanate, Megat Datuk Seri Rama, successfully defeats a group of pirates, and rescues a local beautiful woman in the process. The king, Sultan Mahmud, was delighted with his victory for his kingdom and promotes Megat Datuk Seri Rama to Rear Admiral Datuk. This leads to resentment and jealousy from another member of the court, Bija Tun Ali, especially after Rear Admiral Megat Datuk Seri Rama marries the woman he rescued. Bija Tun Ali then leads a conspiracy against him which ultimately leads to tragedy and upheaval in the kingdom. Written by mahajanssen
Badang is a very extraordinary person who is very strong and does many miraculous things with his strength after he has eaten the vomit of the water ghost who at first wanted to kill him. Eventhough he is strong there are certain things that he cant do due to the promise he has made with the water ghost. He can’t marry because he will end a dreadful death. Badan’s strength was known by the Sultan where he was appointed as a warrior of the Sultan. Apart from that he has also won many strength competitions across the country. While in all this fame he has fallen for a girl who has also fallen for him. But due to his promise to the water ghost he cant. So, who does he choose his powerful strength or his true love?
The story of an oily man that escape from a prison with the help of his master. With the escape of that oily man, it make the people of the village afraid and feel unsecure
The story evolves around Amran and Rohani who are a couple who have slept together one night in front of Gua Musang. Amran then went off to sail but to cover up the shame he brought Rohani on the outskirt are of the village. On his return he was surprised not to have found Rohani there. He found out soon enough that Halimah killed Rohani because she wanted Amran. As of that Rohani’s spirit haunts Halimah in her dream in a form of a tiger.
Mayang raise by her aunt, Mak Tijah. Mak Tijah always ask Mayang to do hard work. But without Mayang own knowledge, she actually often assisted by spirits. Mayang then forced to marry a rich man Daud. When a struggle ensued between Mak Tijah and Mayang, they fell into the river. Mak Tijah drowned but Mayang was saved by spirits.
Siti Zubaidah is based upon the 19th century poem 'Syair Siti Zubaidah Perang Cina'. It centers on Siti Zubaidah, the wife of Sultan Zainal Abidin, who is left defenseless after her husband is taken hostage by a Chinese empress. She eventually allies herself with Princess Rukia of Yunnan, who had fled her own palace under threats of sexual assault. Taking matters into their own hands, they adopt male identities and lead a military conquest across China to rescue the Sultan. Directed by B. N. Rao and starring Maria Menado, the Cathay production borrowed from both of its niches at the time: the film language and costume styles of Malay cinema and Chinese wuxia films, resulting in an imagined reality fusing both visual cultures. At the core of the myriad garbs, armour, accessories and makeup donned by the characters, the tale chronicles the adoption of transformative identities to overcome adversity, enact justice and revenge.
