Keishi Nagatsuka

An unusual documentary series that delves into human dramas through chance encounters with ordinary people at selected spots. Filmed over 72 hours in a single location, the show captures glimpses into people's lives as they open up and share their stories.

Hiroto Miyama is an unconventional young lawyer who dances to his own tune and gets a little obsessive. For one thing, he’s only interested in criminal cases, and he will never give up in his pursuit of the truth even if offers only a 0.1% chance of being discovered. Japan’s 99.9% criminal case conviction rate leads the world, attesting to a “highly reliable” judicial system. In other words, once a crime suspect is indicted, prosecutor arguments tend to be accepted hook, line and sinker. In the face of those 99.9% odds, there’s no money in being a defense lawyer specializing in criminal cases, but for Miyama, that’s where the interest and kernels of truth lie. From unexpected places, the mold-breaking Miyama stakes his reputation on a prayer of a chance as he clashes with hotshot lawyers who’ll go to any lengths to win in this gloriously fun, legal mystery.

In a residential area, a man is murdered by another man, who broke into his apartment. Sergeant Kizaki, who is working near the area, hears a gunshot and runs towards the apartment. Detective Oomura already is at the scene of the crime.

Ultra Q has returned, and continues investigations of monstrous appearances and strange ecological phenomenons.

The Japanese government sets up a special task force to fight the giant creatures suddenly appearing across the country. Soon, the squad unexpectedly meets a giant silver humanoid who starts appearing every time a space monster attacks!

About a lady and her cat. The lady's cat dies and she loses all inspiration to continue living, and doing her work from home job. One day when forced to get out of her house for a while she finds and orphaned kitten in the park. The kitten is sick and she takes the kitten to the vet. This kitten brings her out of her depression and gives her new hope.

Kyuta, a boy living in Shibuya, and Kumatetsu, a lonesome beast from Jutengai, an imaginary world. One day, Kyuta forays into the imaginary world and, as he's looking for his way back, meets Kumatetsu who becomes his spirit guide. That encounter leads them to many adventures.

Toshi-chan and BB live in a hut with a blue sheet on the banks of the Tama River. Having lived there for several years, they are familiar with the area. The two of them gather cans across town from 4 am in the morning and sleep at 7 pm in order to save money on electricity at night. While they do not have substantial income, they are not particularly concerned about money. They are carefree each day and take pride in being homeless men who can support themselves. Nao, a young female actress from a small theatre company, visits Toshi-chan and BB one day. She is playing a heroine who has a grand romance with the leader of homeless men in her next performance and asks to interview them. This is the beginning of a long night for the trio…

Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.

A male corpse is discovered with a smashed face and burned hands. Strangely, the cause of death is determined to be strangulation. When Detective Kaoru Utsumi attempts to corroborate the victim’s ex-wife’s alibi she discovers the mysterious neighbor and only a few small clues to help her disprove a seemingly "airtight" alibi...

A vast wheat field, a straight road that has no end, a sky without a single building in sight – this is a town in the country where time comfortably passes by. But this former paradise is now being stirred up by a fight amongst its people over constructing an airport. This is a tale of three young people exploring youth and friendship as they reach out into the sky.

When lightning strikes a theater about to close its doors, three moviegoers are thrust back in time to the world inside the screen.

Director Jun Ichikawa spins this affectionate portrait of the people who populate Shimokitazawa, a bohemian corner of Tokyo filled with small theater companies and smoky coffeehouses.

Hiroshi Tanaka sports an intense perm which looks like the afro hairstyle favored by some African-Americans back in the 1970's. He doesn't get his hair done at a hair shop, he was actually born with his hair like that. For freedom, Hiroshi moves to Tokyo. He works hard there and, even though he turns 24, he still doesn't have a girlfriend.

Diagnosed with dementia, Yuriko's mind quickly begins to fade. Yet, for her son Izumi, memories of the mother feel as vivid as when he lived them. One in particular, when he believed she had disappeared, haunts him terribly.

A young man Tomoya Nagase and a girl Mayuko Fukuda both learn that they have an untreatable illness and are nearing death. When one reveals that they have never been to the ocean, they embark on a comical adventure to see the sea.

Spring, 1941. Sixteen-year-old Toshihiko attends school in the coastal town of Karatsu, where his aunt cares for his ailing cousin. Immersed in the seaside's nature and culture, Toshihiko soon befriends the town's other extraordinary adolescents as they all contend with the war's gravitational pull.

A James Brown fanatic gangster decided to disband his own gang and see his long lost daughter before entering prison. Hoping to change his mind, his underlings planned to kidnap James Brown to convince him to perform privately for their boss.

In 1969, Sawada is filled with idealism that permeated that era and starts working as a gonzo journalist for a weekly magazine. Two years later, Sawada interviews activist Umeyama with senior reporter Nakahira. Umeyama boasts that his group will steal arms and take action in April. Sawada doubts Umeyama's claims but is attracted to his personality. An incident occurs... Sawada hears news that a man was killed at a army post...

A musical adaptation of Kenji Mizoguchi's 1948 film.