Kamal Swaroop

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

Salim Pasha, a man with a physical disability, is involved in crimes like extortion and robbery with two of his friends Peera and Abdul. Salim is a carefree man.

An urban contemporary film about adultery, murder and betrayal in the film noir style. A simple story to which the director imparts a feeling of unrest and disquiet, catching the city in its various moods. The film breaks generic conventions, notably in the presentation of the private detective through his deglamourised life and his process of discovery of 'who did it'. It is not constructed through his point of view at all. In fact the policeman and the detective, the fact finders, are in the dark about the crime, to the very end.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

Om, an adolescent boy living in an Indian village, is good at only one thing: holding his breath for a long time. His father Babuji left his government job to dedicate his time to astrology. Fascinated with magic and religion, Om visits a fantasy city and takes a home close to a frog pond.

A music student listens to stories and legends about the birth and evolution of the Khayal form of classical Indian singing. These stories are re-enacted by actors who play several key figures throughout the history of classical music.

A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.

MOTHER and DAUGHTER are left alone in the house to navigate the grief of SON’s unnatural disappearance. As they slowly start descending into delirium, DAUGHTER tries to emulate behavioural traits of he brother, where as MOTHER starts talking to the LIGHT. It becomes DAUGHTER’s responsibility to stop mother from meeting the same fate as SON while dealing with her sorrows.

Dada Saheb Phalke ( 1870 – 1944) the father of Indian film industry & his own eight children. The film traces his life & career through the reminiscence of his surviving children, family photographs and his films.

An observation of the political climate in India leading upto a highly anticipated election.

An attempt to engage with the historical, mythical and the contemporary worlds of the city of Pushkar

Atul Dodiya’s oeuvre spans the vastness of the history of art and an in depth understanding and exploration of themes in India’s freedom movement. The Film follows his paintings and work to construct a story of the artist’s life, to understand the impulses and elements behind his art and his responses to the world around him.

The idea of determinism and freedom in the Khayal tradition of Hindustani music.

An old man ventures into the virtual world.

At Kumbh Mela, the world’s largest congregation of religious pilgrims, a troupe of theatre actors stage a play based on an origin myth of Hinduism – the churning of the cosmic ocean. The legend tells of an epic battle between the gods and the demons for an elixir of immortality. The mela (or fair) is celebrated at the site where the elixir was believed to have fallen. Today, millions of Hindu pilgrims gather there to bathe in the holy river over a two-month period.

About a thoughtful, lonely child making his own discoveries.

Director Kamal Swaroop and a group of students from the Film and Television Institute of India explore the origins and the roots of the founding father of Indian Cinema.

Rangbhoomi follows Kamal Swaroop as he attempts to trace the contours of Dada Saheb Phalke's life in Varansasi after he withdrew, disillusioned, from the world of cinema and decided to take up theater. While in Varanasi, Phalke wrote a semi-autobiographical play titled "Rangbhoomi" which forms the core of this cinematic exploration.