Renato Barbieri

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A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

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"Pureza" tells a story of a mother, Pureza, who goes in search of her son, Abel, disappeared after leaving for the mining in the Amazon.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

About the routine of those who live on the streets of São Paulo. Gilberto, a cardboard scavenger, becomes the video reporter and interviews other homeless people about poverty, exclusion, work and life.

Reunion of four reportages made by production company "Olhar Eletrônico" between 1983 and 1986, in which an irreverent reporter, Ernesto Varela, a creation of actor/director Marcelo Tas, tackles some hot topics, such as money evasion in Brazil, gold-digging at Serra Pelada, the homeless in São Paulo and a love story spoof.

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The waters of the Atlantic brought the slaves from Africa to Brazil, their bodies in chains but their souls inexorably tied to mother Africa. This Brazilian- made film takes us to both shores, to show how spiritual life, dance and song came with the captive people and took root in the new soil. Among the many traditions were the language and gods of Yoruba and Jejes from the Republic of Benin. When a group of freed slaves returned to Africa to rediscover their roots they were looked upon as outsiders. They became tradespeople - tailors, accountants and builders- and they actually brought Portuguese culture to Africa. Today, when Brazilians revisit Africa, they teach the Africans the culture that these descendants of slaves keep alive in Brazil. The documentary is a testimony to some of the ironies of the diaspora.

Maria was born on April 21st 1960, the same date as the inauguration of Brazil's new capital, Brasília. The film shows parallels in the lives of both Maria and Brasília.

All the lives of Cora Coralina in a poetic narrative in the voices, feelings and interpretations of six generations of great Brazilian actresses. A polyphony of the voices that inhabited Cora, revealed in prose, verse and images with its immense literary talent and human content. The film reveals the trajectory of Cora Coralina, from her childhood years to getting married and leaving Goiás, from the long period of 45 years lived in different cities in the state of São Paulo and her return to the City of Goiás, when she revealed herself to Brazil with the strength of his poetry.

The series aims to present the particular universe of thirteen traditional legends of the Brazilian imagination, in a playful and poetic way, which is the objective of Animated Legends.

Zeca Baleiro guides us on this musical journey to his home state. With testimonies and performances by local artists from different musical genres, we discover a pulsating and little explored sound panel.

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A modernist capital, from the geological formation of the Central Plateau to the present day, passing through the saga of its construction. Brasília is the result of a genius generation that wished to recreate Brazil, then still archaic, slave and colonial, in a modern, authentic and utopian Brazil.

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Many Brazilians think that slavery ended with the signing of the Lei Áurea. But the relations of slave exploitation of labor persist until today. It is estimated that there are 369,000 Brazilians living and working as slaves. Through the testimony of modern abolitionists and rural workers who were victims of contemporary slavery, Servidão investigates the slave mentality of Brazilian society, which dates back to five centuries.

The Austrian naturalist Johann Natterer (1787-1843) came to Brazil in 1817 as a member of the Austrian Expedition. The eighteen years he spent in the country resulted in an impressive collection of more than 50,000 objects.

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