Raúl Perrone

A reworking of Waiting for Godot where two losers (Coco and Peluca) are waiting in an amusement park abandoned to a former occasional boss (Godotti) who owes them a small amount of money.

An hypnotic musical with ghosts, young skaters, a "cumbiópera" in three acts and an epilogue. A ballet of visages, gazes, desire, love, drama, tragedy and shooting.

Pedro, the father of the family, overcome with wine, embarks on futile ventures. María, the mother, transformed into an apple farmer, can barely bear her burden. Her teenage children, Bebo and Sole, have the destiny of suburban youth, between mischief and tragedy.

An experimental feature shot mostly in the style of an old silent film, it tells the story of a jealous love triangle.

Documentary that gathers the testimonies of more than twenty contemporary Argentine film directors. Through interviews, filmmakers from different generations and tendencies reflect on the craft of directing, creative difficulties, and the challenges of the local industry. The diversity of voices ranges from established figures to representatives of the new Argentine cinema, offering a panorama of the different ways of conceiving and practicing filmmaking.

It is the history of a group of boys around twenty years old of the suburban district. They stroll for the quarter, look at videos, listen to rock. Nothing happens, but it goes on from everything and they are basically alone in the world. As well as there is another "American dream", there is another “Argentine dream”

The cynical philosophers lived in Ancient Greece. Its name comes from the word "dog", denomination attributed by its frugal way of living. They considered that civilization was an evil and so they despised riches and repudiated sciences, norms, and conventions.

Three boys, sons of the suburb, the street and the economic depression, stroll for a microworld where the crime, the incomprehension and the solitude are their permanent companies.

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A trip of three friends to San Bernardo.

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I decided a long time ago not to do any more synopses of my films. I want people to arrive without knowing what they are going to watch. There won't be a trailer either – they're liars AND they never really reflect the spirit of the film. Thanks for understanding.

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This night, Ituzaingó, in the outskirts of Buenos Aires, exudes film and theater. Actors, actresses, directors, and producers parade like narcissuses of the underground in a world of jealousy, hypocrisy, idiocy, and so much more.

Images from other films left behind and images provided. Edited between April and May 2020, during the confinement of Covid-19.

Raúl Perrone does not usually allow people to register his work. It represents an act of intimacy. However, Martín earns his trust and is allowed to take part in the shooting. Perrone's process of filmmaking becomes a testimony of both his role as a film director and a human being with his lights and shadows.

Apocryphal documentary about a supposed visit by James Dean to film a movie in Ituzaingó, a suburban town in Argentina near Buenos Aires.