Acting
Aliza mizrahi, the building cleaner, solves a murder where the police fails
Sherman, who is on trial for murder, is found not guilty thanks to reasonable doubt, however; having stood trial leaves the young felon a changed man. He falls head over heels with his defence attorney’s bright daughter and is even willing to turn his back on a life of crime for her, including walking away from his long-time partner, Jaffan prostitute, Margot. However, the road back to the straight and narrow is not an easy one and indeed, many around hm are wary of this so-called, newly-reformed Sherman.
Gote and Eli are two aging friends who don't want to age. Gote is a lifeguard who's fighting peepers on the Tel-Aviv beach. Eli is a guitar player who dreams of building a night club in altman's restaurant.
A weapons expert is reluctantly sent on a mission to a middle-east warzone to locate a lost nuclear warhead and dismantle it before it falls into the wrong hands. But before he can complete his work, he is taken prisoner and thrust into the conflict, and finds himself looking out for more than just the warhead
A musical, semi-documentary motion picture considering the making of "Shablul", a rock album by Arik Einstein and Shalom Hanoch. The film demonstrates fragments of being, a few funny sketches and musical numbers, much affected by The Beatles' flicks. "Shablul" reminds its viewers the taste of 60s, showing them the Israeli pop/rock scene of these jolly years.
A group of children embrace an eccentric old man, and working together, build a ship on a rooftop.
A collection of skits and songs from Israeli television shows from the 1970s.
The town matchmaker searches for an honest match for Carolina, the daughter of a wealthy man. He finds it in the bumbling, stuttering Kuni Lemel, who has a remarkable resemblance to her lover, Max. Things go south when two Kuni Lemels arrive in town.
An experimental and absurd avant-garde film about a bunch of unrelated people, all standing on the side of the road waiting for the traffic light to change from red to green, but the traffic light won't change. More and more people gather on the sidewalk, and a kind of class society is formed there. The film was shot during one day in which Ephraim Kishon lent Uri Zohar the set of "Blaumilch Canal" at Herzliya Studios.
