Lazar Wechsler

In postwar Germany, a displaced Czech boy, separated from his family during wartime, is befriended by an American GI while the boy's mother desperately searches for him.

The search for a child murderer drags a once-respected detective into an all-consuming obsession.

Heidi, a young orphan girl living with her aunt in Frankfurt, is forced to move to the Swiss Alps to live with her ornery grandfather. At first, he resents her presence, but, after a short while, Heidi manages to pierce his gruff exterior, and the two become close. She also befriends a young shepherd named Peter. After three years, Heidi's aunt arrives and demands Heidi's return to Frankfurt.

In exploring sex offenses, particularly against children, this film reveals the inner workings of the Zurich police and INTERPOL as they pursue persons accused of voyeurism, rape, fetishism, sadism, and masochism. After the criminals are arrested and given psychological tests, they may be sentenced to an institution or undergo brain surgery (with their consent) in order to be rehabilitated.

No description available.

This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.

A sailor on leave meets a beautiful girl on the ski slopes of Switzerland.

Soviet, British, French and American allies patrol post-war Vienna.

Escaping a Nazi prison train in war-torn Italy, an American and a British soldier set out for the Swiss border and find themselves leading a multi-national party of refugees for the Italian underground.

At the end of the Second World War, orphans of various nationalities come together at the Pestalozzi Children's Village in Trogen. When the order arrives from Poland that the Polish children must return to their country, it comes as a shock to 13-year-old Andrzey: he doesn't want to leave Anja, for whom he has developed a strong affection. The two children decide to flee and go into hiding...

Der 10. Mai (The Tenth of May) was the date in 1940 that Hitler invaded the Low Countries: Belgium, Holland and Luxembourg. Neutral Switzerland, which hadn't experienced a war since the 14th century, hurriedly fortified its borders with battalions of inexperienced soldiers. The panic, confusion and isolated acts of courage which occurred on that fateful day are re-created in this Swiss docudrama. The story is "personalized" by concentrating on a fugitive German soldier (Heinz Reincke) who falls in love with the Swiss girl (Linda Geiser) who shelters him. Produced on a bare-minimum budget, Der 10. Mai is impressive more for its sincerity and raw energy than for its actual cinematic merits.

While on a longer business trip, a wannabe poet urges his beautiful but more simple wife to answer his overly swollen love letters. With no idea how to respond she forwards the letters to a new young school teacher to use his answers instead...

Florestan Mississippi, a public prosecutor by profession, visits a lady named Anastasia and, while drinking coffee with her, convicts her of poisoning her husband. At the same time, he asks for her hand in marriage, as he too has killed his wife with poison; the marriage is to be the "atonement" of the two poisoners. The four allegorical personifications in this comedy are, in addition to the loveless, absolute justice in the form of the prosecutor Mississippi, perfect equality, represented by the world revolutionary Saint-Claude, Christian love, embodied in the down-and-out, alcoholic tropical doctor Count Uebelohe-Zabernsee, and finally the "Frau Welt" of the old mystery play – Anastasia, who falls for everyone and betrays everyone, loves nothing but the moment, and dies with an invoked untruth on her lips.

A policeman is not convinced that the prime suspect in a murder case is realty guilty and so decides to reinvestigate the case, despite the lack of co-operation from locals.

No description available.

A serious Swiss melodrama/documentary about abortion, marketed as a sexy exploitation movie in the US. The film contains real medical footage.

In Bern above Junkerngasse 54 the caretaker has died - the old Hutzli. On the day on which he was buried, it's started again, this howling in the middle of the night - scary. Since then, no one dares to live there.

Provincial shop owner Jakob Stäubli and his wife Frieda are looking forward to celebrating Christmas together with their daughter Nelly. But Nelly doesn't come. She prefers to celebrate in the city in the company of her new boyfriend André, a "better gentleman." The saddened Stäublis decide to sell their shop and move to Zurich as well. As they explore the city together after the move, the two country bumpkins find themselves in all sorts of turbulent situations. Father Stäubli is also exposed to erotic temptations when his daughter's lover sends a woman after him to get money out of him.

No description available.

Released during the trial of Adolf Eichmann, this documentary uses archival footage and contemporary interviews to examine the crimes of the Third Reich and the bureaucratic machinery behind the Holocaust. Directed by Erwin Leiser, the film situates Eichmann’s prosecution within a broader historical context, confronting German audiences with visual evidence of antisemitism, deportation, and mass murder, including commentary from figures such as Fritz Bauer.