Nikoleta Leousi

If there weren’t any buses, would there be films? In March 2020, the window of my gaze narrowed down. City life almost ceased. Non-essential movements were prohibited, and cinemas closed. I don’t know what I miss the most, cinema or a non-essential movement.

Savvas, a fifty-five-year old man, witnesses the gradual collapse of everything that he has been building his whole life. Why did things go so wrong? What can be done now? People around his shop are constantly changing. He worries about his daughter’s future. “As long as we’ are alive and well, you have nothing to fear.”

A man's return to his homeland signals the violence that "equilibrium" requires.

Jenny and John make a funny couple. She’s 29 and he is 14. They are walking to a street fiesta at the outskirts of Athens when Jenny decides to take a detour and derail their evening. A coming of age tale that unravels on the road.

A man gets out of prison. Like a modern Ulysses he will undertake a homeless journey into contemporary Athens peopled by migrants, homeless, and other marginalized persons of the society. On his way he will meet a woman and a little girl. Are the three of them members of a disrupted family or just persecutors and victims of a violent and conflict driven society that prevents them from living together?

When Maria, a young pregnant woman is fired, she goes on a birth strike.

Marpissa is a village in the Aegean Sea that celebrates Easter in its own unique way: On Good Friday, all daily routines come to a halt as eleven scenes from the Passion of Christ are brought to life by villagers portraying figures such as Jesus, the Virgin Mary, and Pontius Pilate. It’s not only a religious act; it is also the expression of pride in creating a spectacle.