Tami Ravid

Boy ('the helper') tells the story of an invisible member of our society, an illegal Filipino cleaner. He has no name. Moving continuously from one location to the other, he is living between being seen and being invisible, between his life with his boyfriend, an erotic dancer, and his role as financial provider of his family back home. All this changes when his boyfriend auditions for a dance-company and one of his employers commits suicide. A charming photographer shows interest in him. He wants him as a model for a photo series.

A big cargo ship in a dark port: a black man goes ashore with little more than a telephone number in Amsterdam. Having arrived in the city centre, he cannot even make a simple phone call with his exotic money. When the aliens police turns up he is unable to reach his pregnant daughter in Amsterdam, after all. Twenty years earlier, he said to her, looking out over the sea in Ghana: 'On the other side, my daughter, life is very different.' He will never personally experience how different.

In His Image focuses on reproduction after death in Israel, where posthumously harvesting sperm is legal. The film follows the bereaved parents of three sons who died during military service. Using semen collected just before, or shortly after, their sons' death, they hope to have them live on in a posthumous grandchild. But can new life cure their grief?

Son du Serpent tells the story of a modern African in his frantic search for his wife who disappeared. The film unfolds as a road movie. Longing for his beloved the man wanders around in a supernatural reality – aware that he may have lost her in this invisible world.