Directing
On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.
The distinctive feature of this charming documentary on the insect world is the clearly biased commentary on the exploits of ants and bees, from the point of view of the philosopher, or the satirist, or just someone with a bit of common sense. As director Gérald Calderon travels with a camera from the Jura mountains in Switzerland to the south of France, and to Central America and Africa, insects are shown as workers, soldiers, queens with their children, killers, fighters, and great planners (witness the busy anthill). While viewers are entertained by nearly microscopic close-ups of these tiny inhabitants of our planet, they can enjoy the interpretive narration at the same time.
On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.
Matthias Duval is in love, but he can't choose between the two twin sisters Betty and Liz Kerner. To pick up the two sisters, he invents his own twin brother and will play both characters.
After a tumultuous life, a middle-aged headwaiter in a Parisian restaurant dreams of opening a seaside amusement park. When an old flame reappears, he reignites his feelings, but she is involved with another man.
A documentary that explores the natural world of the sea, from the single-celled organism to more complex forms of life, OCEAN ORIGINS was originally filmed in the IMAX large format, which adds a crispness and clarity to the images. This documentary film seeks to examine the process of evolution by looking at the many creatures of the sea that can illustrate the way multi-cellular life emerged over the course of four billion years. OCEAN ORIGINS is a creative film that uses fascinating documentary footage to look at scientific theories and principles in an interesting manner
If love is a universal phenomenon, it is never the same: the animal world experiences brutal and rapid unions, or, on the contrary, slow and difficult approaches, followed by sometimes interminable embraces.
A tribute to Frédéric Rossif, the most legendary animal director in cinema, a long animal poem, a walk-exploration through the most secret regions of a little-known continent, the former USSR.
This is an attempt to imitate the inimitable, Jacques Tati. Paulette is a life-size blow-up doll. Imagine the rest yourself.
A paean to Darwin and his theories, this documentary on the increasing complexity of life forms as they go up the evolutionary scale is fascinating in its visual images. Microscopic organisms in a tiny drop of water vie for the viewer's interest with birds and monkeys and other animals in their natural setting. Intelligence and awareness increase on the way toward more evolved species until it becomes clear that different kinds of apes and monkeys are fairly calculating in their use of tools and communication. One drawback is that the narration does not entertain on a par with the images captured on camera.
Is there an adventure, a drama, a more exciting suspense than that offered to us by the laborious research of the scientist on the lookout for the great secret of his origins? The film begins at the extreme limit of this noble uncertainty. Thirty million centuries ago. Three billion years. Already two proposals are offered to this uncontrollable search: the Earth will warm up or cool down? These first images, which represent the consent of the majority of scientists, attempt to show us the thermal fluctuations which govern the formation of this puffy meringue which will solidify: the earth of men.
