Acting
The life of Tatsuya, a young man of proper yet mysterious descent, whose outward respectability hides his urges for rape and torture.
The life and affairs of a famous writer is seen through the eyes of his last mistress.
Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.
A celebrity, dissatisfied with his personal and professional lives, impulsively leaves fast-paced Tokyo to deliver a much-needed jeep to a remote village. When his controlling manager, the woman he loves, follows, the two must reconcile while dodging reporters.
Goro had grown up in the yakuza world. As an active member of the Mizuhara family crime syndicate, he expressed his loyalty by always putting himself in the forefront of every battle. Violence never bothered him. However, after being sentenced to three years in prison for stabbing a rival gang’s hit man, he becomes disenchanted with the Yakuza life style. Goro is determined to start anew, but karma catches up. His two closest friends are murdered by his ex-boss. He is left with two options: to kill or be killed.
On a cold winter day, Goro Fujikawa (Tetsuya Watari) and Masahiko murder the mob boss of Meishin-Kai. The deed costs them time in prison, but Goro had no shred of regret. When Goro is released 2 years later, Masahiko is dying in prison hospital and entrusts his last wish; "find my sister and take care of her." Goro leaves as a free man with a mission, but soon finds that he might have been better off in jail.
Kenichi and Satoru join up with three other electric music lovers to form their own band, "The Young and Fresh."
A high-school vigilante protects his community from the extortions of mobsters from a neighbouring city.
Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.
Akio Tsukaro, dreaming of working for a beauty school's flag shop one day, stayed at Bunta Tadokoro without being involved in salon art, even though he graduated from beauty school. One day, Akio saw Michiko, a beautiful girl raining in Ginza. Since then, Akio has become unforgettable with the mascot that Michiko has taken away...
This movie depicts the confrontation between a man entangled in a despicable trap and the shadow of murderous intent, and the efforts of a journalist chasing after the truth. Due to the passage of time since the film's release, some scenes may be marred by visual and audio distortions. We apologize for any inconvenience and appreciate your understanding.
1962 Japanese movie
In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.
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A street war breaks loose between two rival gangs in the Kansai region of Japan. Goro is in the middle of action. Through a knife fight against Sueo, a high profile gangster from Busou-kai, Goro notices a familiar face approaching him from amidst the chaos - his girlfriend, Yuri. Goro had sent her to safety, but she had returned, aching to see him. Caught between Goro and his enemy knife, she reunites with her love - the price was her life.
Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.
Kunio Shimizu, a sailor of Tohto University, helped a girl that was chased by someone on her way home from practice.The girl went away without saying anything, leaving her wallet with Kunio. A few days later, she visited Kunio. She was working at a toy factory called Tomoko Nishizawa. Kunio naturally became attracted to Tomoko, but for some reason Tomoko refused to talk about her past. One day, the two went to the bowling alley and were approached by Tempira...
An erotic comedy depicting the sex adventures of young wives living in an apartment complex, that are not satisfied with just having sex with their husbands.
