Acting
Akiko is the heir to a yakuza clan. Hitoshi, who has been kicked out of the rival Hono Clan after attempting to seduce Akiko, kidnaps her at the behest of Hanamura. Hanamura has formed a new gang and intends to use Akiko as a hostage to take over her clan's territory. During the torture and abuse sessions which follow, Akiko comes to enjoy the treatment and forsakes her gangland empire.
In the backstreets of Ginza, the boss of a hairdressing salon is found dead, killed by strangulation. The detective on the case soon hears rumors about the murder.
Roppeita is big in size, clumsy and full of energy. When his grandfather orders him to move out to Tokyo to save a sinking milk delivery business a distant relative of his runs, he encounters the most strangest of clientele.
Hairstylist Misa meets S&M enthusiast Ippei and is convinced to give it a try. Then later, Ippei's ex-wife, who happens to be one of Misa's beauty shop clients, begins a sexual relationship with her. The lesbian affair is also accentuated by some more S&M.
No description available.
1957 Japanese movie
1961 Japanese movie
Kosuke Suzuki was presumed dead after boss Toseikai Setouchi lynched him and threw him into the sea off the coast of Kobe. However, three months later, Kosuke suddenly appears in Kagoshima and reunites with his partner, the vagrant Kumagoro. However, Kosuke's relief does not last long, he learns from Kumagoro that Toseikai are acting ruthlessly here too.
A somewhat liberal adaptation of the life of painter Shuu Ito, the film focuses on his sexual torture of two wives and a prostitute. Ito chronicles the sessions in journals, shares his pseudo-Sadean philosophy, and drives women mad with equal hell-bent intensity.
A young couple and his wife's sister live in a housing complex. When her wife becomes suspicious of the relationship between her husband and her sister, she falls into an unexpected trap.
The year is 1926. It has been three years since the Great Kanto earthquake hit Tokyo. Everything is being rebuilt from the ground up. Odera crime syndicate saw this as an opportunity to expand its territory. The Odera boss arranges marriage between his daughter Orin (Ruriko Asaoka) and the son of notorious Gyotoku clan, but Orin’s heart belonged to Shinjiro (Yujiro Ishihara), a member of her father’s clan.
It’s been five years since her husband had passed away. Fuyuko lives in the quiet suburbs, in a small but loving home with her three beautiful daughters. Haruko, the eldest, is the lead vocalist in a band. Natsuko is the conscientious type, who spends her days in ballet classes beautifying herself. The youngest of the three, Akiko is a bookworm who found her niche in philosophy. Although the sisters may appear to have nothing in common, there is one thing they all agree on; "Mom needs a new husband".
For a girl who works in a 3rd rate bar, Ayuko is full of vanity. Nomura, her patron, is besotted by her and it is their habit that they cannot reach a climax unless they peek at a couple, across the way, making love. Intent on climbing up in the world, Ayuko uses all her wiles to get her patron, who is putty in her hands, to move her from her grubby apartment house to a dreamboat of a place. She then tries to find a place to work more befitting her new home but all the elite night clubs will have nothing to do with her and with time heavy on her hands, the devil finds mischief for idle hands to do.
Masakichi Murase has just been released from prison and appears in a fishing port town. Two Yakuza families have been feuding in this city for a long time. On the side of the Okai clan, Masakichi enters into a confrontation with the evil Kawade family, who wants to get the territory of their opponents and the possession of a railway loading dock… The third part of the series of films "Kanto" starring Hideki Takahashi.
1962 Japanese movie
A passionate man, driven by his boss's will, who fell to an assassin's blade, dedicates himself to rebuilding the gang. This thrilling, entertaining masterpiece by Eiki weaves together love and longing into its intense portrayal.
Sanae Nakahara, playing the role of a proactive female college student, persuades a stubborn old man and mediates the forbidden love of a young businessman. This is a youth comedy made to capitalize on the leisure boom of the time.
Leaving his wife in Osaka, Honda leads a double life in Tokyo – after spending the day as an elite businessman, he flirts around in the evenings. He even rents a secret apartment where he keeps record of his girl hunts in his diary, the ‘Hunter’s Diary’. One day, he finds an article in the newspaper – a murder of a young woman in his diary. A few days later, another woman from his diary is murdered. He soon finds himself in a labyrinth of fear, as women named in his diary are killed one after another...
