Mikhail Doronin

The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.

Fearing the Soviet Union, rich businessmen who want more influence in Europe decide to give the nation of Boufferia a new king, an easy to handle drunkard.

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

In an unnamed English-speaking capitalist land, a young engineer invents inexhaustible giant robots to replace the fragile human workers on high-volume assembly-lines, and soon finds his invention co-opted by the military-industrial complex.

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Actress Brio working in a cafe "The Happy Canary", does not suspect that her new acquaintances Brianski and Lugovec are Communists sent by an underground committee to fight the enemy's counter-intelligence.

A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.

Early silent film from Uzbekistan: Adolat lives happily with her mother and father, leading a joyous life alongside her best friend, Qumri, who is later married to Umar. But this happiness comes to an end the day she is given in marriage as a second wife to the wealthy merchant Taki Bai, whose first wife Kadhija is infertile.

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A corrupt young man somehow keeps his youthful beauty, but a special painting gradually reveals his inner ugliness to all.

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The best foremen of the two competing collective farms, Olga Stepanova and Maxim Orlov, have long been in love with each other. But between the bride and groom there is a quarrel on the industrial soil, and everything goes to the gap.

Rukhele's parents make her marry rich Matteus, but she loves poor Shlomo. In two years Rukhele has a child but she can't forget Shlomo and so she leaves Matteus to be with her lover.

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An early film by Vsevolod Meyerhold.

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Lost movie. Not to be mistaken with another Mikhail Doronin's movie with the same name.

Educational film on why corporal punishment is unacceptable in children's upbringing and is a relic of the past.