
Dominique Gonzalez-Foerster
Directing
Biography
Dominique Gonzalez-Foerster is a French filmmaker, artist and an influential figure in international contemporary art. She is known for her great variety of work in video projection, photography, and spatial installations. Since 2010 she has worked with Tristan Bera on various projects, including exhibitions, films, magazines and performances.
Known For

Shimkent hôtel tells the story of a young man who's experienced the failure of a business venture in the Afghan mountains, and who suffers from shock in Kazakhstan.
Shimkent Hôtel

20 short films about human rights.
Stories on Human Rights
Adaptation of Honoré de Balzac's "The Skin of Sorrow" or "The Wild Ass's Skin" (1831), said to be the last novel read by Sigmund Freud before his death. While reading it, he would have said: "This is the only book I needed".
The Magic Skin
Setting up as the prequel of two existing films of similar name, Belle de jour by Luis Buñuel, and Belle toujours by Manoel de Oliveira, the film is about the new story of Severine, the main character, with Paris as background. Two artists' ideas to recompose the original films make the beautiful and unique world in this movie. - 25 FPS
Belle comme le jour

After arriving in Manila to attend his father's funeral, a Filipino-American is lured into a conspiracy by a mysterious voice on the other end of his cellphone. In order to save the lives of his surviving family members, the expat must perform a series of dangerous tasks amid the labyrinth of the Filipino underworld.
Cavite
A nature-hating aesthete, Jean des Esseintes attempts to furnish and decorate a country home where he will be able to live without ever again having to deal with the outside world.
Diner Noir Istanbul

This intimate and musical documentary about the French megastar Christophe will have you screaming like a fan, as it tells the story of the unforgettable and nocturnal musician, author of the legendary song Aline (most recently featured in Wes Anderson’s The French Dispatch).
Christophe… Definitely

No description available.
Personne n'est à la place de personne

In De Novo she turns the camera on herself, divulging the complicated thought processes behind the works she made for her five different invitations to present at the Venice Biennale. The video shows her unafraid to question the contexts of her own work in relationship to an ongoing inquiry into the nature of exhibition, exposition and narrative mythologies. - TIFF
De Novo

"Chew The Fat" (Informal) - To have a long friendly conversation with someone. In the film project 'Chew The Fat', the artist Rirkrit Tiravanija, living in New York portraits a group of 12 artists (Douglas Gordon, Angela Bulloch, Pierre Huyghe, Philippe Parreno, Dominique Gonzalez - Foerster, Elizabeth Peyton, Tobias Rehberger, Carsten Hoeller, Liam Gillick, Jorge Pardo, Andrea Zittel, Maurizio Cattelan). The artists, all chosen by Tiravanija, belong to the same generation as himself and, like him, have advanced during the nineties to achieve international success. Most importantly, all are good friends of Tiravanija. This creates a particularly relaxed situation in which conversation can flow naturally between the two with personal issues coming up as easily and often as those to do with work or career.
Chew the Fat

"Central Park" is composed of 11 films that offer a visual, sound and poetic journey through 11 cities crossed by the artist. Fascinated by the city, space and urbanism, Dominique Gonzalez-Foerster has been developing the concept of "tropical modernity" for several years, starting from the cohabitation and the confrontation between architecture and vegetation. It is around this research that she designed "Central Park" 11 films : - Kyoto (1998) - Taipei (2000) - Buenos Aires (2003) - Los Glaciares (2003) - Hong Kong (2000) - Encore Tapei (2000) - White Sands (2003) - Brasilia (1998) - Paris (1999) - Shangai (2003) - Rio de Janeiro (2000)
Parc Central

For her contribution to the 2006 São Paulo Biennial, Dominique Gonzalez-Foerster used the work of Oscar Niemeyer as a starting point for an exploration of the relationship between the exhibition space and the urban context, through an intervention in which she reproduces and multiplies existing columns, reconfiguring the reading of the rhythm and proportions of modern architecture. The Marquise, in Sao Paulo’s Parque Ibirapuera, an enormous concrete canopy designed by Niemeyer in 1954, is therefore the subject and setting of this film, in which the artist reveals her interest in ‘tropical modernism’ and develops certain recurrent themes in her work, such as ideas of shelter, playground or potential space. - MNAC
Marquise

No description available.
Christophe - Olympia 2002
Subjective observations of Corsica and Japan, accompanied by an eclectic soundtrack.
Île de beauté

Gold is a project of psycho-geographical investigations. Beautifully shot on location in desert regions throughout the southwest, Gold alludes to the seductive lure of the American west and its history of speculation and spectacle.
Gold

No description available.
Exotourisme
A collection of 11 short poetic psycho-geographic portraits of cities and spaces from artist Dominique Gonzelez-Foerster. Ranging from the revisiting of a scene of Ming-Liang Tsai's 'Vive l'Amour' through the eyes of its protagonist, to a ticker-tape parade in Buenos Aires, from a reflection on the filmic qualities of Brasilia,to an observation of the observers of the 1999 eclipse in Paris. All soundtracked by a sensitive balance of field-recordings and carefully chosen delicate music.
Park Central

French artist Dominique Gonzalez-Foerster created the 35mm film Central in 2001. The second of a loose trilogy of films set in different waterfront locations, Central unfolds at the Star Ferry terminal in the titular area of Hong Kong, with a Cantonese voiceover guiding the work’s narrative.
Central
“Romilly” follows a young girl in school uniform larking amongst the bunk beds in the Turbine Hall with a group of friends. We focus on her captivating face, her red hair and rosebud mouth, as she chats with her friends, looks at her hand-held screen, reclines, and sleeps on the bunks. - LEFFEST
Romilly
Gloria consists of a 5-minute looped tracking shot in a park in the centre of Rio, in Brazil. This park is a copy of a French-style garden, but does not have perfectly straight contours. The tropical climate and the abundance of the vegetation constantly overruns all human efforts to make it a sophisticated park. A woman’s voiceover soliloquises the tropicalisation of this garden and the possibilities for fictions that she could create in this place. - New Media Encyclopedia