Directing
Fernanda likes to play football with the boys. But for this tomboyish, the apogee of his intimacy with the ball is to make it fly straight, direct, to the bag boys. Then she smiles. One day she comes running to the hit-ball, delayed but can not find anyone. The boys are in hiding. Fernanda knows where it is, but can not imagine what they plot!
No description available.
Mixing archival footage and interviews with the band and its crew, this film celebrates the 40-year history of legendary rockers Paralamas do Sucesso.
In the Mafrak desert, located on the border between Syria and Jordan, one of the largest refugee camps in the world is developing, where a new cartography is being established. Thousands of families risk their lives every day to reach the site, seeking shelter amid the chaos of a civil war that has already killed more than 400,000 people.
The documentary Home Key - Chave da Casa follows the last 48 hours of a group of Palestinians in the refugee camp of Al-Rweished, on the border between Jordan and Iraq, before leaving for Brazil. They leave behind family, friends and a past full of memories. Nine months later, the film follows five of them in different points of Brazil, showing their adaptation issues, their fears for family safety, for the ones that were left behind in the middle east, the country, the uncertainties and hopes for a new future.
Rio 2016 official film, "Days of Truce" is an original portrait of the Brazilian experience in hosting the Games and a powerful manifesto that explores how the Olympic values are relevant in our modern society.
In 2008, Gretchen divided her twerking between the stage and the podium. The singer and dancer – also known as the "Booty Queen" – traveled through villages in the northeast of Brazil, making a living as an artist in local circuses and making noise in her campaign for mayor of Itamaracá Island, in Pernambuco. From circus to circus, the film records the performer's experiences to face her political opponents and her new audience, the electorate.
