Renato Nicolini

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Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

Between August 23 and 31, 1983, at the "Circo Massimo", in Rome, there was a musical event that brought together artists from Bahia. This film brings a recording of the event, also featuring backstage, rehearsals, testimonies and some relaxing moments of these great names in Bahia's music.

Valerio Mastandrea is Franz, a night bus driver on the airport route who owes a lot of money from poker debts. He's stumbled upon by the variously named Leila, a thief who has accidentally become wrapped up in a secretive blackmail deal involving the President. As the film unfolds, a secret war between factions of the Security Services, a series of confusions among the various criminal fraternities whose activites have been touched upon by the deal, and Leila's past all complicate the situation.

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A portrait of Laura Betti with archival footage and stories of friends: Bernardo Bertolucci remembers Laura in "Novecento" and in a lost sequence of "Last Tango in Paris", Giacomo Marramao and Walter Siti dwell on the relationship with Pier Paolo Pasolini, Francesca Archibugi remembers a precious friend, Michelle Kokosowski and Jack Lang talk about the successful and mutual love for France, Piero Tosi and Paolo Poli remember her youth, Jacqueline Risset her private life, Valentino Parlato her civic passion, Renato Nicolini recaps her difficult relationship with institutions, Filippo Crivelli remembers the singer. Views that seek to reconstruct the figure of an exceptional artist, unusual and contradictory.

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Renato Nicolini is travelling along the Grande Raccordo Anulare. The traffic flows behind him like thoughts that have been triggered in a logic of free association. His story consists of memories and connections that span esoteric suggestions, city-planning considerations, and metropolitan legends.

The search for a feeling of Rome leads Renato Nicolini, an exceptional reporter, to take a journey through the city in an attempt to unravel its mystery. Following in the footsteps of famous and lesser-known visitors, on a physical and imaginary journey, the elements that characterize the overall landscape of Rome unfold; one by one, the names, faces, works, and anecdotes of the architects of this city parade before us.