Bruno Carboni

A dramatized account of Colombia's 1985 Palace of Justice siege combines fictional elements with historical footage, exploring themes of belief, turmoil, and lasting national trauma.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

No description available.

In a rainy Brazilian city, an amnesic man is taken in by a lonely clickworker at a course for people with a strange neurological syndrome. After using an addictive AI device, he embarks on a tragic and absurd journey to find where he truly belongs.

Dione is a mysterious young man living with a family in a rural and remote place in the southern Brazilian plains. The quietness of the region is disturbed when a rich landowner tries to buy the small property where Dione and the family live.

United by their love for the same dog, two women scarred by the 2024 flood transform a silent dispute into a journey of encounter, loss, and reconstruction.

During the International day, a fifth-grade class starts a small revolution in the school rules.

Raúl is an unemployed cattleman that lives in an isolated house on the fields. The landscape of pastures is being superimposed by huge soy plantations. Devastated by poverty, he joins a gang of other peasants that steals cattle during the darkness of the nights on the pastures.

A boy finds a body in the woods. Every stare turns to the body.

Three women with completely different backgrounds have one thing in common: they loved and were connected to the same man. From the point of view of these women, through an intricate structure moving back and forth in time, Raul enters the story.

In a rural village colonized by Germans, little Ana watches a play about the history of the Thiltapes. It is a dangerous animal that lives in the forest, and no one knows its real form. Two hundred years earlier, a botanist who writes about the region hears about this same animal. The stories intertwine, both in an obsessive search for the imaginary Thiltapes, while at the same time facing their own demons: the weakened botanist eager for a discovery that will justify his trip and Ana intrigued by her father, suspected of having committed a brutal crime against a neighbor’s cow.

Joana is the victim of a hit-and-run after antagonizing an aggressive driver who cut her off in traffic. On the surface, she’s visibly shaken but manages to walk away unscathed. Intending to shrug it off alongside her partner Cecília, a viral video turns up online, forcing her to process the event. Reluctantly the pair enter the lives of culprit Elaine, her estranged husband Cléber and son Maicon, an introverted budding filmmaker.

Deep inside the jungle, a group of teenage girls are being kept under supervision. Despite abandonment and hostility, Damiana hopes she can get in touch with her father.

Joao is a 50 year old actor who lives with his 72 year old mother, Celina. He spends his time between his work at night as a crossdresser in small gay bars and his parts in small plays, movies and TV shows. Tormented and haunted by ghosts from his past, day after day Joao starts to merge the reality in which he lived with the fiction he is interpreting.

Desire and guilt traverse the journey of Pássaro, the only son of the Tamai family, and Ângelo, the youngest son of the Miranda family and Marciano's brother. Living in a small town, Pássaro and Marciano were best friends as children, despite the constant tension that surrounded their neighbors. However, fights between their parents drove them apart and their friendship faded. Years later, Pássaro and Ângelo meet again at a party and become attracted to each other, experiencing a passion that defies prejudice and stigma. The relationship, however, provokes Marciano's anger and hostility and rekindles resentments of the enmity between the families.

Red Fish tells the story of a young woman traveling with her boyfriend. The couple's relationship seems peaceful and happy, but at times, it feels like she's losing him. When he disappears one night in an empty amusement park, the girlfriend's lucidity begins to be tested. Is she dreaming? Was he kidnapped? Did a mysterious force take him? Did he abandon her? Did he ever exist?

The whole life of man is but a point in time. HALF MAN, HALF GHOST is the latest exploration by Davi Pretto after his first feature-film CASTANHA. Pretto shows us an old man’s slow disappearing process, in a far and remote area in the south of Brazil. A man that represents an old style of men that inhabited this region, but no longer exists. Somewhere between an ethnographic documentary and a fantasy, a journey into darkness and oblivion.

No description available.

Squatters living in an abandoned building receive a notice that they may be evicted some time soon. While Anna tries to deal with the news, she has to confront a mysterious man lying in her bed.

Five adolescents in a conservative community experience strange transformations in their bodies. Faced with rejection in the town and the fear of adult life, thye must decide if they accept their dragon aspect or conform to the tedium and local conventions. The Dragons is an immersion in the fantastic universe do writer Murilo Rubião.