Nelson Rodríguez

The story of Cecilia is a story of the society that dominated 19th-century Cuba, a society divided between whites, blacks, and those who were mixed, the mulattos. (Since the Spanish conquistadors killed off the Indian population in Cuba not long after they took over the island, there are no mestizos, or those of mixed-Indian blood in Cuba as in other Caribbean nations.) At any rate, the drama about the life and loves of Cecilia (Daisy Granados) takes place against the backdrop of graphically violent mistreatment of slaves and the rumors of a slave rebellion after the Cubans hear of slaves turning against their captors in Haiti.

The life and execution of Gertrudis Bocanegra, a sympathizer of the libertarian cause and a prominent figure in Mexico's independence from Spain.

A telephone operator from Mexico City tries to support a family and her passion for popular dance.

Dramatic recreations from impressive testimonie that no one can explain yet. Exploring themes and paranormal events such as forces from beyond, ghosts, poltergeist, pyrokinesis, telekinesis, telepathy, among others.

In the aftermath of the Bay of Pigs incident, Sergio chooses to stay behind in Cuba while his wife and family escape to neighboring Miami. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana. He finally meets Elena, a young girl he seeks to mould into the image of his ex-wife, but at what cost to himself?

A handsome and mysterious stranger, played by Darío Grandinetti, walks into the town square of Villaserena one day and strategically places loudspeakers around the town, blaring a variety of musical tunes. Soon, he begins to sell airtime to the various locals, who broadcast their own personal love dedications and (more frequently) insults for all to hear. A subplot evolves between Abelardo (the stranger), Celeste (a young woman who is chained inside her father's house to stop her running away), and José (a young man).

Traces episodes in the lives of three Cuban women, each named Lucía, from three different historical periods: the 1890s, the 1930s, and the 1960s.

A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.

Mexican drama film directed by Miguel Littín. It is based on a short story of the same name by Gabriel García Marquez. It was entered into the 30th Berlin International Film Festival

A prestigious theater group in crisis prepares for the staging of a famous love tragedy. Mirtha, an actress marked by frustration, decides to leave the theater when a guest conductor offered a starring role. The incorporation of young actors, unscrupulous, and an inspector trigger a series of situations that will endanger the reputation and power of the actress who heads the group.

In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.

During the socialist government of Marmaduke Grove in 1932, a group of villagers decide to take some land in the area of ​​Palmilla. Almost like a mythical journey, problems arise when seated and in a position to bring the socialist ideal in the population. Everything becomes more complicated with rumors that the reactionary forces have overthrown the socialist government. A movie that because of the coup was not released in Chile and was only terminated by Littin in exile in Mexico.

It is the story of a young man named Esteban, who was totally devoted to the cause of the Revolution against Fulgencio Batista. One day, Esteban is diagnosed with a cerebral aneurism, which causes him to take stock of his life as a revolutionary and to reconsider his relationships to his family--to his mother and brother, particularly--and his friends.

A look at the life and work of Cuban filmmaker Tomas Gutierrez Alea.

Follows the story of three privileged Creole orphans from Havana, as they meet French adventurer Victor Hugues and get involved in the revolutionary turmoil that shook the Atlantic World at the end of the eighteenth century. The main characters are all members of one family: two siblings, Carlos and Sofia, and their cousin Esteban.

A bourgeois Cuban family of aristocratic origin locks itself into its mansion when the Cuban Revolution comes to power, waiting for the new regime to be overthrown. As time passes, they regress to older and older systems of political order, from capitalism to feudalism to "primitive savagery."

The story of the Santa María School massacre of miners in 1907.

Adolfo is an ambitious young man who dreams of leaving the town where he lives with his parents and trying his luck as a radio host in the United States of America, without realizing that everything he truly desires is closer than he thinks.

A doctor committed against the revolution decides to escape in a boat. A criminal friend introduced him to a modest revolutionary family to cover it up. During the events aspects of a society in transition are reflected.

Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.