Aleksandr Ilkhovskiy

A retired KGB colonel, having collected at his country house a file cabinet of people who had cooperated with the Committee in previous years, calls them back to his house and makes them perform certain tasks. But even on it there are bigger sharks - representatives of the mafia, who have guessed how much money they can now get from the former "peasants". However, one of them, dreaming to finish with the archive, will somewhat disrupt the plans of the above-mentioned characters.

The social ferment in late 19th century Russia which led to the 1917 Russian Revolution is movingly portrayed in this lengthy historical drama, which is very faithful to the 1907 novel The Mother by the celebrated Marxist writer Maxim Gorky (1868-1936). In the story, "the mother" (Inna Tchourikova) has no other recourse than to watch her decent, kindly husband turn into an animalistic, drunken brute as a result of working in the inhuman conditions of a steel mill in the town of Sormovo. When he begins to express his suppressed rage by beating her, she is defended by her teenaged son Pavel (depicted Viktor Rakov as an adult, Sacha Chichonok as a boy). After his father's death, Pavel is forced to go to work in the same factory. However, Pavel and his friends begin investigating Marxism and socialist thought, and work to organize their fellow workers.

Moscow, the 90s ... A city without a past and without a future. A city that doesn't forgive mistakes. Showing Moscow bohemia, the criminal business: nightlife, easy money, excitement and confusion form the surface of this life. The main characters of the film are businessman Mike and his friend and partner in smuggling Lev, a psychiatrist Mark and his school friend Irina who became the mistress of a nightclub, her two daughters - a crazy Olga working in the same club as a singer, and Masha - the “Moscow Princess” on the threshold of her thirtieth birthday. Love stories smoothly flow into a crime drama.

Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth?

In this movie we follow fate not a person but car: first Soviet Lada. It starts with Brezhnev daughter and then gradually moves on parallel to last years of USSR into wild after-perestroika years with bandits and newly born oligarchs.

Medea is an intelligent, highly educated woman who gives up on her dreams when she falls for rich businessman Alexei. When the pair have two children, she patiently waits for him to divorce his wife, and as he decides to emigrate from Russia to Israel, she meekly follows him. But when he shuns her for having committed a crime to protect him, her blind love turns into burning rage.

In the year 2020, a group of wealthy Moscovites travel to an abandoned astrophysics complex, rumoured to have enough power to halt the process of aging.

Two detectives conduct an investigation into daughter kidnapping of an influential businessman. Criminals want no less than a million dollars. The search is complicated by the complete absence of any evidence. But the one who are they looking for is always close ..

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

The sea, August, interesting and simple people. They tan, swim, play volleyball, basketball, drink, dance and then find someone to spend the night with. Many grew out of their student phase and can afford a more comfortable holiday but when July comes they grab a tent, jump into their cars and come here. Here, nobody talks about work and the size of your wallet means nothing.

The city philistine Domna Platonovna-a merchant of lace, and sometimes... and "live goods" - is engaged in pimping. Fate confronts her with a young intelligent woman-a noblewoman, a colonel, Lekanida Petrovna, whose difficult life trials led to a moral decline. Domna Platonovna tells her tragic story with imperturbable calmness, presenting her own unseemly actions that push the unfortunate woman as the greatest benefits rendered to her.

Boris Yukhananov's film triptych based on Andrey Vishnevsky's play "Pinocchio's Mad Angel".

The film is dedicated to the history of the execution of the Jewish Anti-Fascist Committee.

A short movie and university exercise filmed in 1981.