Francesco Apolloni

Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

Classe di ferro is an Italian action/adventure television series that aired from October 6, 1989 to December 26, 1991. The series focused on a diverse group of young adults who enroll in Italy's military service.

Five women celebrate one of the girl's bachelorette party but one of them doesn't show up.

Alex Belli is a 37 year old advertising executive whose fiancée Elena has just left him, and who is having difficulty at work trying to think of a good advertising campaign for a new Japanese product. Niki is a bubbly 17 year old student. She has three best friends with whom she shares all her problems, and an annoying ex-boyfriend Fabio who is set on getting her back, but Niki's not interested. One day on his way to work, Alex collides with Niki on a city street. They soon begin a romance, despite their 20-year age gap.

Francesco is a psychoanalyst grappling with three hopeless causes: a bookseller in love with a book thief, a lesbian hell-bent on becoming straight after a heartbreak, and an 18-year-old in a relationship with a much older married man. Unfortunately, these patients are also his three beloved daughters!

Second part of the film "Sorry if I love you". Alex (Raoul Bova) and Niki (Michela Quattrociocche) are more in love than ever. They have just returned from the lighthouse on the island Blu where they have lived unforgettable days. Niki returns to see his friends, but a number of important changes in their lives will test the friendship of the girls. Alex also resume life with his old friends. All of them, Flavio, Enrico and Pietro, are no longer serene and safe husbands due to certain difficulties that have compromised their marriages.

Turbo is an Italian television series.

Peppino, a diminutive taxidermist with a reputation for sleaziness, meets Valerio, a handsome if artless much younger man fascinated by the trade. Peppino offers him a large salary to be his assistant—the job burgeoning into a budding friendship he mistakes for something more. When Valerio gets a girlfriend, their fledgling romance will be threatened by an insanely jealous third wheel.

No description available.

The title translates literally as "Faceboom." An omnibus film helmed by seven top-tiered Italian directors, this comedy explores the worldwide Facebook craze of the early 21st century by recounting the adventures of numerous Europeans whose lives are altered by that social networking site.

Rome, Esquilino, summer. Rossella returns to Rome after years of absence and returns to her home, rented to her friend Salvatore, the set designer. The woman is gripped by an evident depression and wanders around the city that she does not recognize and that no longer recognizes her. People have changed and Rossella finds no one capable of answering the obsessive question that has plagued her for some time: "How can I disappear?"

Antonio, a policeman (carabiniere), has an order to take two children (Rosetta and her brother Luciano) from Milan to Sicily to an orphanage. Their mother has been arrested for forcing Rosetta (11 years old) to work as a prostitute. First the relation between Antonio and the children is tough, but it relaxes so they become temporary friends.

Giacomo, the main character, 35 years of laziness, is a man who doesn't know and doesn't want to fight. He is a introvert curmudgeon, a little bit nerd but not very social, who walks with the look downward on his device without giving to the people what they would like from him: only a little bit of attention and enthusiasm. He loses his job, he is left by his wife and coincidentally he remains closed in the women's bathroom of the art-house cinema, together with the owner's small dog.

Desperate after losing her job, Alice starts a sexy webcam site with three friends. Successful at first, their new-found decadence sends them on a downward spiral of mutual resentment and dangerous excess.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

No description available.

No description available.

In a wonderful hotel on the seashore, preparations are underway for the wedding of Eleonora who will get married in the afternoon to Fabrizio, known as El Tigre. Each of the excited bridesmaids – Vanessa, Linda and Akiko (pregnant with Billo) – gives the bride an accessory to make her outfit more chic. Instead Polina, her mother, gives her a box of jewels: “they belonged to your poor father. The only thing we have left of him." Eleonora is stunned to see that inside her there is not a jewel as she expected but three teeth, a 'relic' of her father who was killed years earlier in an attack. And since then Polina has asked her to fulfill her father's wish to be buried in Gorizia, in a small cemetery on the border between Italy and Slovenia.

An experimental drama entirely composed by monologues. A personal journey through male homosexuality - from darkness to light, from total denial to complete acceptance - as told in monologues performed by actors and adapted from interviews with ordinary Italian gay men. A multicolored kaleidoscopic journey through a varied and multi-faceted aspect of the human experience that is rarely represented on the big screen

Francesco, Carlo, Loco e Giordano, lifelong friends, depart from Rome towards Madrid to celebrate the bachelor party of Francesco but above all to make, as happened on other occasions, a trip together. In fact, the trip is also an excuse to go see their favorite team away in the Champions League. In their path intersect to Pilar, a beautiful Spanish singer who, unknowingly, brings havoc within a close-knit group favoring, including unexpected, laughter and comical situations, even the come to diversity afloat, insecurities and never those words. On their return, nothing will be as before.