Eduardo Montero

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A portrait of the Austrian avant-garde artist Otto Mühl/Muehl (1925-2013), whose work combined sex, violence, gastronomy and bodily effluence with unbridled abandon.

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Amaranta Cano, daughter of Carlos Cano, reconstructs, in a journey connecting Andalusia with Portugal, the events that took place on the eve of Three Kings Day in 1985: a murder, a mysterious woman, and a setting marked by the border culture between Ayamonte and Vila-Real de Santo António, with smuggling as a backdrop. The documentary not only delves into the historical and social context of the song, but also pays tribute to Portuguese fado, a musical genre that deeply fascinated Carlos Cano, as well as its most emblematic author, Amália Rodrigues. Throughout the narrative, Amaranta talks to key witnesses of the event and prominent artists such as Teresa Salgueiro, Antonio Chainho, Rozalén, Raúl Rodríguez, and Martirio, who perform their own versions of the legendary song.

The massive exile Republican state, about 10,000 Spanish citizens were direct victims of one of the most horrific episodes of contemporary history: the deportation to Nazi concentration camps. Among them were 1500 Andalusian which a thousand lost their lives in those halls of horror, designed to degrade the human condition to the most unimaginable heights. The survivors made ​​an oath to devote their lives to remember and honor the memory of the millions of people killed in these fields. The testimony of those who lived to tell the tale becomes a fundamental value as didactic teaching tool for an episode still very unknown and to promote a culture social ethics alert and active rejection of all forms of contemporary discrimination.