Fiapo Barth

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. At 85 years old, she pushes the limits of her age and does everything she can for her family and friends. Sweet Mother illustrates the everyday life of the elderly with clarity and levity, and shows that youth actually starts at 80. In the role that earned her the 2013 International Emmy® Awards for Best Actress, Fernanda Montenegro adds another success to her list of characters, which includes an Oscar nomination for the film Central Station.

Éder is arrested after confessing the murder of a man. Duca, his nephew, is sure that his uncle confessed the crime to protect his girlfriend, Soraya, ex-wife of the deceased, so he enlists two of his friends to help prove his theory.

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

A photographer gets involved with a family as he seeks for a new model in a small town.

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

A young photocopier operator becomes infatuated with his neighbor and, unable to afford anything from her shop, turns to shady schemes to make money.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

Ciba (Rodrigo Santoro) is an independent investigator who works together with the police. A typical fallible hero who struggles with strong personal issues, while preventing crime and injustice. His partner, Deputy Ulisses (Luis Miranda), is a well-meaning professional who recognizes the difficulty in securing his function using only common artifacts, and Ciba's unofficial contact is of utmost importance for the progress of his investigations.

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.

A couple's last moments: their meetings, separations and a sandwich.

Kelson is a young worker who uses his motorcycle to escape the police and win Neide's love. He buys a new motorcycle from swindler Fernando, without knowing that it belonged to a dangerous drug dealer, who got out of prison and now wants it back.

A coming of age dramatic comedy dealing with the effect that two "summers" have on the lives of several teenagers. The main story involves an innocent teenage boy and a conniving teenage girl who meet on a beach one summer in Southern Brazil. They meet up again the following summer

Three minutes. The time to leave a message. To pass the baton and run 1600 meters. To cook an egg. The time to make a decision that can change your life.

Noeli lives in a suburb of Porto Alegre, is a housewife and has two children. She was born in a country town, went to the capital, worked in a bakery, got married. She's an ordinary person. But there are no ordinary people.

Thirty-eight years after the 1950 World Cup, a man went back in time to prevent the goal that defeated Brazil, destroyed his childhood dreams and ended goalkeeper Barbosa's career.

No description available.

Teenager preparing for diving competition identifies with suicides who jumped from an old viaduct in Porto Alegre.

Ricardo is 10 years old, lives in the interior of Rio Grande do Sul and has nightmares about Velho do Saco, sort of a Brazilian bogeyman, “who takes out the eyes of misbehaving children”. It is not easy to distinguish truths and lies when the loss of innocence is confused with the loss of sight.

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.

Bom Fim, in Porto Alegre, was a stronghold of the youth movement that took place between the 1970s and 1980s. The trajectory of the place is revisited through interviews with musicians and artists who lived those golden years.