
Georges Pallu
Directing
Biography
Lawyer and Army officer, he was personal secretary to the French Minister for Public Instruction, before he started working in films. He was contracted by Production company Invicta Film, from April 1, 1918, for one year as director ("metteur-en-scène"), to adapt Portuguese literary texts to the cinema. His contract was renewed until the company stopped film production in 15 February 1924. He was involved in buying equipment for the company, namely when he went to Paris with a major company partner to buy two development machines, and in negotiations to sell films in France. His first work of adapting the novel A Rosa do Adro (1919) to the cinema was so appreciated, that the Portuguese President confered upon him the honorary title of Knight of the Order of Christ ("Diário do Governo", 2nd Series, 28-12-1919).
Known For

A pious family, a non-believer, and a little boy who suffered an accident, whom a doctor believes is forever doomed to crutches: can he walk normally again due to his faith in the Virgin of Lourdes.
La vierge du rocher

Traveling by car to Sintra, a mysterious lady, arriving in Lisbon by ship, is the victim of an accident.
O Destino

The amorous sacrifices of the daughter of Tomé da Póvoa, Berta, with the gentleman Jorge and, in parallel, the warm connection of the other son of Dom Luis, Maurício, with dedicated cousin Gabriela.
Os Fidalgos da Casa Mourisca

A washerwoman works so long for the same bosses that she gets to like their young son very much. One day she is unjustly accused of robbery, and dismissed. She suffers in her loneliness, until the day she hears that the boy is terminally ill, and there's no medical hope for him. She comes back and sits by him, praying to Saint Thérèse de Lisieux - and the miracle happens.
La Rose effeuillée

Two young people, during a hike on the C te d'Azur, meet a woman of great beauty whose driver has a sinister appearance. They find her in a castle. In reality it is a lunatic asylum whose head doctor has lost his mind. notes: Lilian Constantini protested after the presentation of the film, on the way it had been sounded. Indeed, the voice that had been lent to him had had the gift of bringing joy to the public.
The Strange Bride

Beiras, 19th century. The rapturous fatalism and the love tragedy between Teresa de Albuquerque and Simão Botelho, who survives the intolerant dispute between their noble families. Emphasis on Baltazar Coutinho’s (Teresa’s cousin and suitor) lethal rivalry, on blacksmith João da Cruz’ unconditional protection, and on Simão’s submissive adoration for his daughter Mariana…
Amor de Perdição

Ana doesn't care for the pure love André devotes her, and turns her heart towards a noble man that is just lightly interested in her. Ana will experience the agony of being abandoned, and must contemplate the reclusion of a nun's life.
As Mulheres da Beira

Jean is ten years old and imagines that he is the cause of the misunderstanding that occurred between his parents. He leaves the military institute where he studies and becomes the protégé of an opera singer at whose house, one day, he surprises a thief who blesses him. His parents reconcile at the foot of his hospital bed.
Ceux De Demain

Between the elegant areas of Cascais and Lisbon, dangerous delinquent Barbanegra acts under the identity of the insinuating Marquis de Serpa.
Barbanegra
No description available.
La rose effeuillée

A tradesman authorizes his wife's first husband to replace him in order to hide from a brave, very rich aunt that his niece is remarried and thus saves himself from bankruptcy. He is indeed saved from it but loses his wife won back by her ex-husband.
Les deux 'Monsieur' de Madame

Reconstruction of Bernadette Soubirous's life (1844-1879), a 14-year-old girl that catholics believe had eighteen visions of Mary, the Mother of Jesus, in a grotto near Lourdes, France. The place became a peregrination centre since then.
La vie merveilleuse de Bernadette

The domestic misfortunes of Duarte Tinoco, a married man with a free heart. At a time when the leading filmmakers in Portugal were foreigners working under contract with Invicta Film, the possibility of Portuguese artists with special skills moving into directing was a key project for that production company. This is how António Pinheiro, an acclaimed actor, came to direct Tinoco in Bolandas. The experience proved positive and was continued in another film. To make this film, António Pinheiro enlisted the help of his mentor, Georges Pallu, who had directed him in several films. In addition to appearing in the cast, Pallu was also responsible for adapting the play on which the script is based.
Tinoco em Bolandas

The widow of a soldier in the 1914-1918 war, running an inn called "Au rendez-vous des veterans", is happy to see her daughter in love with an officer whose father was once in love with La Madelon.
La Fille de la Madelon

Luísa has been married to Jorge for three years. He is about to leave on a mission to the Alentejo when she finds out about the arrival of his cousin Basilio after a long stay in Brazil, where he seems to have made a fortune.
O Primo Basílio
No description available.
Le train de 8 H 47

No description available.
Cláudia

Madame Fidias suffers with jealousy of all those young women who pose for her husband's sculpture work. She fights to get Phi-Phi's (her affectionate name for Fidias) attentions back, using her feminine charms and cunning.
Phi-Phi

To shorten the way, Bonifácio Mendes a small-minded muleteer decides to cross the Mafra cover.
Frei Bonifácio

Two villagers have adopted a child abandoned on the road. A jealous kid drags him away from the village. He is collected by a traveling circus where his kindness attracts him the affection of all and especially that of the animals. One day he finds his mother and his two adopted fathers.