Ciro Galvani

The newly-settled city of Venice in the Sixth Century AD: A wandering people struggle to establish Christian Theocracy. Basiliola Faledro, an exotic dancer, wicked and cunning, arrives from faraway lands seeking to avenge her pagan lineage; Her father and brothers blinded and humilated by frenzied zealots. Her primary targets are the brothers Gràtico, both newly-elected to positions of power: One, Marco, an arbiter and tribune, the other, Sergio, a bishop. The title refers to a bold pronouncement made by Deaconess Ema Gràtico to her subjects the Venetians, a seafaring and desperate tribe-- That their native homeland is aboard a ship.

A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.

Based on Oscar Wilde's version of the story, what is noteworthy is the sheer luxury of the production, an attempt to capture the wild and weird Aubrey Beardsley illustrations that transfigure the work. The sets are elaborate, with stonework and palm trees and draperies. There seem to be dozens of dress extras, courtiers at Salome's dance and soldiers.

No description available.

No description available.

In Naples in 1860, a girl named Grazia, a strongly pro-Flobonic Montechiaro, is betrothed to the general of Santafè. She is secretly in love with John, a patriot and revolutionary.

Italian drama about the conspiracy against Murat.

A early film adaptation of "The Rape of the Sabines" which is an episode in the legendary history of Rome, traditionally said to have taken place in 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. The English word "rape" is a conventional translation of Latin raptio, which in this context means "abduction" rather than its prevalent modern meaning in English language of sexual violation.

In the beautifully coloured Phèdre, we witness how the Greek queen Fedra takes revenge on her stepson Hippolytus after he rejects her advances. The lead role is played by Italia Vitaliani, cousin of the famed Eleonora Duse and herself a prominent stage actress. Eye previously rediscovered and restored her once-lost film La madre (1917).