Milan Svoboda

A 1990 horror anthology series, with host Anthony Perkins presenting and screening tales based on Patricia Highsmith's short stories that display a sinister atmosphere, and delve into the darkest depths of human nature.

It's the year 2484 and the Earth is threatened by a rogue comet which could fatally change its orbit. The solution is surprising - Adam Bernau, the greatest genius of 20th century developed 500 years ago an ingenious formula for easy transporting of continents and even worlds. Unfortunately, he made this discovery at the age of 11 and the exercise book containing it was destroyed in the fire. But this is not a challenge to Academic Filip who decides to send an expedition back in time to retrieve the precious exercise book from the fire. But everything is not so simple as it seems...

No description available.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

No description available.

No description available.

A coming of age drama about a young boy Jirka who lives in Prague.

A story of Jan Kolvara, forty years old architect, who is a little bit too obsessed with women in his life.

Six-year-old Anička Čejková has moved with her parents from the village to a new housing estate in Prague. For now, she and her father are alone, but her mother is due to return from the hospital soon with her newborn Ondřej. Anička gets lost during her first walk around the neighborhood, but a nice young woman helps her. She is teacher Řeháková, in whose class 1. And soon Anička will start. The first-graders like the school, and when Anička confides in them that her mother will be back soon, they decide to give her a festive welcome.

Zofie and Dominika, two girls of very different temperaments, become friends during hop-picking volunteer work in the summer. Zofie (Jaroslava Schallerová) is serious to the point of reticence and she is delighted with her friendship with Dominika. For the self-assured and superficial Dominika (Irena Svárová) the whole thing is just a momentary whim. When she leaves the work camp before everybody else, she doesn't even say goodbye to Zofie. The two girls meet again after the holidays as first-year students at medical school, and become close again during the nursing techniques class.

Two kind but foolish sisters live together in their villa in a small town in South Bohemia. Fany (Natasa Gollová) has never married and Andelka (Eva Svobodová) is a widow. In the morning, the two sisters go into town. They need to buy fuel oil, put money in the bank and give plums to the teller. In the meantime an smallish orange Skoda MB car parks at their house, with Hermínka (Iva Janzurová), the old ladies' niece, and her fiancé Michal (Jirí Hrzán) in it. Michal has forgotten to bring flowers and has to go into town to fetch them. At the bank, Fany wants to deposit money but the minute the teller opens the safe, a thief arrives. He knocks the teller and Fany unconscious and runs away with the money. When Fany comes to her senses again, she sees Michal and accuses him of being the thief.

A directors autobiography about his debut during the rise of socialism.

The film was based on the novel "Milión" by Karel Štorkán. The book and the film depict the events surrounding the great construction disaster in Prague in 1928, in which 46 construction workers died. The disaster thrilled the entire republic at the time, yet was never fully explained. The filmmakers focus on the story of Ing. Vondrák, the designer of the construction.

The story of a young woman takes place at the end of the war in an apartment belonging to a Jewish owner who was forced to leave for a concentration camp. The young woman is waiting for her lover, a tall German officer who promised to take care of her and take her with him. An offer of rescue arrives, but it is only an attempt to lure her into handing over the jewelry that the Jewish owner of the apartment had entrusted to her for safekeeping. The woman finally understands the moral abyss and the hopelessness of the situation in which she finds herself...

Luděk Krejza, a tile-layer, returns from prison after serving time for manslaughter. In a retrospective, the viewer is introduced to his story. It is a not very well-known film, which with the passage of time has completely disappeared from the awareness of even the more deeply informed interested in domestic cinema. The song "Dudes, you're on" is sung by the Yo Yo Band.

A young man begins to have terrifying nightmares after visiting his obsessive uncle's automated chicken farm.

A sad story about love between Czech boy and German girl during 1944.

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

The production of Shakespeare's Hamlet with František Němec in the title role (premiered at the Smetana Theatre in 1982) was far from enthusiastic at first. To some viewers, it seemed superficially unimpressive. On the spare stage of J. Svoboda, director M. Macháček focused on thinking through the relationships between the characters and their motivations, and cast great actors of the National Theatre in the roles. Macháček gradually revealed the story, like a detective story - from the message from the ghost of Hamlet's father about the manner of his death, through the play of the theatre company as proof of the murderer's guilt, to the final murderous finale... The production eventually became a Prague theatre hit and could certainly have been performed for a long time if it had not been withdrawn from the repertoire in 1988.

A young woman named Alena discovers her fiancé Pavel's repeated infidelity. After meeting with her former married boyfriend, she loses control of her car and crashes. The result is tragic: severe injuries to her head, spinal cord, and spine. Even after several months, doctors and parents consider her condition hopeless. The only ones who do not lose faith in her recovery are the doctor in the rehabilitation department and her grandmother, who takes care of her. The others cannot cope psychologically with the situation that has changed their lives. Hopelessness and helplessness influence their actions. Will they be able to find the strength to overcome their selfishness and help not only Alena but also themselves?