Duraid Lahham

Few Arab comedy series have left a mark quite like Sah El Nom. Written by the brilliant Nihad Qalei, who stars alongside the irreplaceable Duraid Lahham, the show gave the Arab world two of its most iconic characters — the lovable, street-smart Ghawar Tawasha and the memorable Houssni Al Bourzan. Warm, witty, and deeply rooted in Damascene folklore, it's the kind of show that never really gets old.

AlDaghari is a Syrian social comedy series, based on the story of Turkish writer Aziz Nesin, produced by Syrian Arab Television in 1992, directed by Haitham Haqqi. It tells the story of a fraudulent person who exploits the gullibility of the villagers.

When an extremely wealthy family loses everything, the patriarch is forced to sell all his properties to pay off his debts to the merchants. He pushes his family to take on mundane tasks like washing carpets and cleaning vegetables to make ends meet.

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The series deals with the life of the simple man, Abu Al-Hana, who is constantly exposed to unenviable situations, and grows when he begins to search for solutions to them, for he is a simple and kind-hearted person, but he has self-confidence that makes his wife Umm al-Khair always obey him, and he is a ninth-degree employee in a government department.

Tayseer, a conservative man, has grown with a particular hang-up caused by his sister's marriage without his consent. When a man proposes to his daughter Kawthar, Tayseer vehemently opposes their relationship, even if the two are deeply in love. Is it too late to rid him of his hang-up?

The Arab world's most beloved rogue is back. In this long-awaited return, Duraid Lahham resurrects his iconic Ghawar Tawasha — this time wrongly accused of murdering his wife and thrown behind bars for decades. Upon his release, he walks into a Syria grappling with the harsh economic realities of the nineties, determined to find his daughter and prove his innocence. Equal parts comedy and drama, it's warm, funny, and quietly heartbreaking — a homecoming worth waiting for.

The series discusses a variety of social issues within a framework of separate episodes, and through a series of comedic events that simulate society, such as hypocrisy, science, and other issues

The events takes place in the village of (Al-Kharba), near Al-Suwayda Governorate, as it highlights the lives of two families living in the village within a comedic framework.

A strict father refuses to let his beautiful daughter marry the young pilot she loves, believing that the life of a pilot is filled with danger. The pilot sees a dead end, but that does not prevent him from using his cunning to persuade his beloved's father of their marriage.

A Syrian comedy drama series that revolves around (Fatoum), the owner of the (Sah Al-Nom) Hotel, where most of the events of the series take place. Both (Ghawar Al-Tosha) and (Hosni Al-Borzan) fall in love with (Fatoum), and pranks and adventures occur between them in order to win With her heart.

“Salt and Sugar” is the first Syrian work shown on Syrian television in 1973 during the month of Ramadan, and its events take place inside the prison when the social worker (Sabah Al-Jazairi) visits the prison to search for the cause of the prisoners’ delinquency, and (Dhiab Mashhour) sings the song “Alamaya,” and remembers Ghawar Al-Tosha (Duraid Lahham) is his mother and longs for life outside the bars. He sings his famous songs “Lou Lou Lou” and “Oh my beloved woman, ya mo.” The artist Dhiyab Mashhour also sings “Ya Abourdin.” The artist Taroub also presented two songs, “Tik Tok,” as part of a competition organized by Hosni. Al-Borzan (Nihad Qalai) inside the prison, through a Syrian comedy act starring Duraid Lahham and Nihad Qalai, in collaboration with Yassin Bakoush, Naji Jabr, Najah Hafeez, Abdul Latif Fathi Sabah Al-Jazairi and others, and the work is directed by Khaldoun Al-Maleh.

A comedy that examines absurd scenarios relevant to the life in Syria.

The events revolve around a three-person gang led by Abu Al-Ghawar (Duraid Lahham), who plans to steal Simon Bay, and the gang members succeed in deceiving him and stealing his locker. Whereas the husband of his sister (Nihad al-Qala'i) is a person who has many problems and disputes with the people of the region due to the mockery of the people of the region of Abu al-Ghawar Who uses this money to do amazing inventions that have no use.

A show centred entirely around Duraid Lahham's iconic character Ghawar Tawasha. An iconic Syrian comedy series where Ghawar gets up to his classic mischief and pranks, leaning into the slapstick, street-smart humour that made the character so beloved across the Arab world.

Ammo Najeeb, a respectable elder is hopeful to reunite with his family. After suffering a health episode, he travels to Lebanon to live among his children, who are living a lifestyle that pleases no one whatsoever!

A psychiatrist hypnotizes his female patients and robs them while they are under. The company where he committed one of his crimes enlists the help of a private detective to find out who is the perpetrator of the robberies.

A traveler between two countries metaphorically named "Easternstan" and "Westernstan" loses his passport and identity papers. Stuck between the two countries he can neither cross the frontiers nor get back to where he came from. He's forced to camp in the neutral area between the two countries, facing a lot of funny situations while there. The movie satirizes the ideology of Arab unity and cooperation at the state level.

In a mountain village called Kfaroun, Wadud works as a janitor in the school, where he has loving relationships with the young students. But his mother Sukhur demands that he avenge his father's killer and objects him marrying his fiancée. While Noor, the spoiled city girl is the new school teacher.

This vehicle for Syrian comedian Duraid Lahham offers the most risqué mad scientist subplot to be found in any of these Lebanese films, thanks to his character visiting the inventor of the Sexatron, a machine whose precise practical purpose remains sketchy, although the method for causing it to blow up is outlined clearly enough in the screencaps below. This sequence evidently tested the censor's limits and contains three splices in the Lebanese version of the movie; it may well have escaped uncut in the Turkish edit of the film.