Acting
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Young boy Cestmir finds a magic rock which allows him to bring the seeds of the flowers which allow flying from Blue Planet...
The film is a metaphor for the Cold War. It depicts two neighbouring nations: peace loving Fortuna and the not so peaceful land of the Steel City.
Mom didn't ask me anything. She just took granny in. Now she lays in the middle of my room. And I have to take care of her. All the time. Winner of the Cinéfondation student section of the Cannes IFF.
Two somewhat crazy friends Milan (Milan Lasica) and Julo (Július Satinský) resolve to have a peaceful holiday in an old guard house that Julo has bought from his uncle. But in the early hours of the very first morning they are woken up by the loud sound of a trumpet. It is the severe supervisor of a nearby recreation center forcing the children out of their beds and out to exercise drill. To protect themselves from the children, Milan and Julo put up signs saying "private property". The first to disturb their privacy is the supervisor's little granddaughter Miluska, who uses their shed as her gingerbread house. The children in the camp are disgruntled, the supervisor's program bores them, and so they make up all sorts of other things to do.
A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.
According to family legend, the name Hrušínský was born after Rudolf and Jan Hrušínský's grandfather Rudolf Böhm was caught stealing pears on a theater stage. The German name Böhm suddenly became Hruškovský and shortly after that Hrušínský. Grandfather Rudolf, later known as Rudolf Hrušínský the eldest, adopted the surname as his own and began using it in 1935. However, the history of the Hrušínský acting family goes back much further. It is therefore not surprising that the brothers Rudolf and Jan also took the same path. The documentary charts their acting beginnings alongside their father Rudolf Hrušínský Sr., from their first roles, through theater engagements at the Drama Studio in Ústí nad Labem and the Drama Club in Prague, to unforgettable film and television roles, when three generations of Hrušínskýs often met in front of the camera.
A tale about a young girl whose grandfather has built a garden of horrors.
Several big-city teenagers are falsely accused of vandalizing a valuable organ, casting light on the hypocrisy of the adult world.
A comedy about erotically addicted men is therapy for everyone, especially those who think they don't need therapy. At a session for erotically addicted men, Eda, the owner of a bicycle repair shop, meets Cyril, a history and physical education teacher; GIGI, an aging rocker; Přemek, a retired screenwriter; and Martin, a young IT specialist. The therapy is led by Linda, a recent graduate and single woman, for whom meeting this group of diverse male characters becomes a fateful step not only in her professional career.
