Rano Karno

Rano (Rano Karno) was separated and lost his father at Jatinegara Station in Jakarta when he got off the train. Luckily, he met a kind-hearted fryer. Amin (Benyamin S), who then took him home.

Students who come to Yogyakarta to study, also have their first taste of love and sex. Three friends, Benny, Lesmono, and Larso find this out for themselves. Benny, a ladies’ man, introduces his friends to prostitution. Lesmono is secretly in love with Indri, but she falls into the hands of Benny. Benny, who takes life very lightly, manages to smuggle Indri into his room in the lodging house. When he goes home to Jakarta, Indri is anxious because she misses her period. Lesmono helps her to find a shaman who can perform an abortion. But when she goes to see a doctor, she finds out that she is not pregnant after all. Lesmono hopes to get Indri back but his hopes vanish when Benny returns and Indri goes back to him. Attempting to represent the teenagers’ psychological state in relation to love and sex; the film only manages to be jokey and shallow.

Pak Wahyu, who only worked as an electronic equipment repairman in a rented shop, was made dizzy by his wife and two children who are only busy with their own lives. There are rumors that Mrs. Wiwik is a fraud, Agung is a believer in black magic, and Ati is pregnant out of wedlock increasingly widespread in their flats. Pak Wahyu also tried to create a large family they were whole again and loved each other.

Two high school students, Satria and Rani, have tasted the forbidden fruit of sex. But Rani’s father, a rich man, who is authoritarian and very proud; is against Satria, who is merely the son of a poor widow. He regretfully has to give permission for his only daughter, Rani, to marry Satria who has impregnated her. He allows this without any celebration and on condition that they will not be sharing a house, and that they will divorce after the baby is born. Everything changes when Rani gives birth to a pair of twins. Rani and Satria can be reunited.

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

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The bizarre Arif family usually stay holed up in their old house... for good reason! The clan includes a daughter who's nearly catatonic during the day but a nympho at night, a son who's a violent bully, another son who's a sex maniac and a psychologically abusive matriarch who's both an aunt and a stepmother to the children because she murdered her own sister and then married her brother-in-law. A psychology student who's looking into matters has his work cut out for him.

From Wikipedia, the free encyclopedia Si Doel Anak Sekolahan is an Indonesian soap opera produced, written and directed by Rano Karno who also plays the main character as Doel/Kasdullah. This soap opera has a storyline about the life of Doel and his family, a Betawi family who still maintain traditional values ​​even though they live in the midst of the current modernization of urban Jakarta.[1] In addition to Rano, this soap opera also stars Benyamin Sueb, Maudy Koesnaedi, Cornelia Agatha, Aminah Cendrakasih, Mandra, Suti Karno and Basuki. Consisting of 6 seasons and 139 episodes, the story is a modern version of the novel Si Doel Anak Betawi by Aman Datuk Majoindo and the film of the same name directed by Sjumandjaja in 1972. In the film version, Rano Karno also plays the role of little Doel and Benyamin S. plays Doel's father. It's just that at that time, Doel's father's name was Asman, not Sabeni like the soap opera version.

Malik, who returned home after living in the boarding school for six years, felt disappointed because he could not continue his studies and was instead told to become a Marbot by Nyak, which he considered a family inheritance job. Malik tried to find a way to keep the mosque alive as a Marbot, while studying and saving money to go to college. Will Malik prioritize his obedience to the mosque and his parents? Is it possible for him to still achieve higher education?

The story follows Erwin, who gets Peggy pregnant but refuses to take responsibility, claiming it was just a fling and citing Peggy’s past history of living together unmarried. Peggy refuses when asked to abort the pregnancy. Later, Erwin falls in love with Rosa, whom he also gets pregnant; this time he wants to take responsibility, but his parents disapprove. Eventually, Rosa dies while attempting to abort her pregnancy. Erwin then wishes to marry Peggy, but she refuses. Erwin pursues Peggy until he manages to win her back.

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A young Indonesian leaves her baby in a cab, so the driver takes the infant home, then tries to find the mother.

Ian and some college friends form a band. Since they are becoming popular, they are asked to play in a pub. Then Lara, the girl that lan has a crush on, causes an unhealthy competition and friction within the group when another member also likes her. Then, there is also a death in the band due to a drug addiction. Finally, the disputes end, and they pull together to play in a Rock Music Festival.

Heartbroken because her future husband has a wife, Nurlela (Eva Arnaz) goes to the city to look for work. After a successful career, many men love her. Unfortunately, all are married. Nurlela turned around to play with these men. Meanwhile, Mugeni (Rano Karno), Nurlela's sister, is asked by her superior, Murtado (Sunjoto Adibroto), to find a mate who looks like Nurlela. Aisyah's mother (Nani Wijaya) also appears who wants to match Nurlela with Jupri (Eddy Riwanto).

Aladin, a teenage orphan, finds a pile of treasure through a sorcerer who claims to be the older brother of his late father. In that place, he finds a magic lamp.

Doel, a child growing up in a Betawi society, who is trying to break the pragmatism of the society that considers the Betawi people to be conservative by getting as high an education as possible. After his father's death in an accident, he and his mother becomes a seller to survive.

Knowing the headquarter and home of Betawi suburbs will be evicted, Pengki, Somad, and Achie sabotage illegal casinos in Jakarta. They drain all the gambling money to buy the land that will be evicted.

Romi and Juli, junior high school friends, are in love with each other. But their parents; Sabar and Komar, are business rivals, and creates obstacles for them. Romi and Juli agree to run away from home and they get lost in a cave. Romi falls ill so Juli has to urgently find medicine. Meanwhile, their parents keep looking for them and finally make peace with each other after their children are found.

The love story between Rafli (Rano Karno) and Erena (Anita Carolina M). Rafli is the son of a businessman who never received love from his parents. No wonder he is very violent at school, at home and in society. His relationship with Erena faces obstacles, particularly from Rafli's own family. To make matters worse, there is also harassment from Erena's rival, Rosa (Sandra Ciptadi), at school. This only adds to Rafli's turmoil.

Fourteen years after the woman he loved left him, a married man ventures to Amsterdam to find her but must decide where his heart lies.