Ali Uyandıran

Bizimkiler (Ours, Our People) was a Turkish drama, represented the lives of the people shared the same neighborhood. It is one of the longest-running series in Turkish television drama history.

No description available.

Musa and Zeynep had a great love affair and got married years ago. However, while Zeynep is pregnant, she cannot forgive her husband for a mistake and divorces Musa, hiding the fact that she is pregnant. After the divorce, Zeynep tries to survive on her own, raising her daughter Gonca by working as a market vendor and telling her that her father died years ago. Musa, on the other hand, advances his position in the construction industry and moves from business to politics. In the intervening years, Musa loses track of Zeynep and becomes engaged to a journalist. Gonca is now 16 years old and a successful young girl in school life. Zeynep is determined not to ask Musa for help despite the reactions around her and her loneliness. Unaware of each other, father and daughter will learn the truth through a coincidence...

No description available.

No description available.

No description available.

No description available.

No description available.

On the eve of his wedding, a young man must deal with the trouble caused by an unexpected guest — his bride's former brother-in-law.

No description available.

A Turkish coastal town, in 1990: The unexpected visit of his long lost brother Asaf disturbs Azmi Arifoglu. 40 years ago Asaf was a prisoner of war, and Azmi managed to let him pronounce dead to marry his fiancée Nevin. After Nevin's decision to live with Asaf, Azmi feels his honor insulted. The conflict shakes the whole family. Meanwhile 13-year-old Arif falls in love with Bahar his age. An unexpected rival shows up and he gets jealous

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

Cazibe is a woman in her late thirties, who has never got married or had a relationship with a man in her life. She lives with her old mother and her uncle who feels an attraction towards her. The lonely woman, whose only existence is her small room, spends all her time in this old room, dreaming and fantasising about her ex-lover.

The story revolves around the beautiful Nazan, the neighbor's daughter, who manages to remain a virgin despite marrying two of the neighborhood's handsome men, Selami and Cavit; the fierce competition between Selami and Cavit for Nazan; the schemes orchestrated by Nazan's mother, Necla; and the neighbors' curious observation of these intriguing developments, their astonishment, and their simple reactions. Nazan's mother Necla's schemes; the neighbors' curious observation of these intriguing developments, their astonishment, and the sudden media attention their simple lives receive, all told in a humorous tone.

Umut is a child who lives with his grandfather Ahmet and forgot to dream. One day, a misfortune brings him to the people of a fantastic and colorful world he never knew. The name of this magical world is Gamonya.

A woman... A man... Two people on the brink of death... Perhaps two people who would never meet, or even if they did, would pass each other by like ships in the fog, never seeing each other... Two separate worlds... Two separate histories... But now 'yesterday' is behind them, and they have met in death. And at the point where death's rules, words, and obstacles have been erased, they have set out to discover life. They shared fear, friendship, anger, and love. Who knows, perhaps even love... This was a life without a tomorrow. That's why "today" was so precious. A woman: Ela... A man: Ömer... They truly lived on the brink of death...

The film, adapted from Ahmet Harndi Tanpınar's story of the same name, tells the story of a traveling theater troupe that travels from city to city. The story takes place on a train during World War II. The train windows are blacked out to avoid detection.

When an old fling shows up with their infant child, a dallying man-child must take on the role of father and create a fairytale world for his daughter.

Retired taxi driver Faruk is still working into his 60s. Having lost his wife ten years earlier, he leads a monotonous life. His only wish is to learn English, for which he is sometimes ridiculed and sometimes appreciated. His life will change a lot as he meets people throughout that difficult process, as learning a new language brings new experiences.

The world champion archer, who comes from Moldova, one of the poorest countries in the Eastern Bloc, wants to compete on behalf of Turkey. To do so, she must be married to a Turkish man. The federation president intervenes and decides to arrange a formal marriage. For this purpose, a former wrestler is persuaded to be the groom. After the comical marriage, events will take a rather amusing turn. Zeki Alasya, who directed the film, once again appears on screen with Metin Akpınar, effectively responding to speculation that they are estranged.