Acting
Dicle finds herself in an agency when she comes to Istanbul dreaming of becoming a filmmaker. There’s only place for stars, ego wars, greed, fame, money, hope and disappointment here. As Dicle struggles to exist in this glamorous world without losing her way... Her broken family ties start to bleed again. Her father who abandoned them before she was born is now one of the sharks of the industry and they are working in the same agency. And the magical lights of cinema start to shed light on Dicle’s first love.
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Famous celebrities with different costumes and masks fight to keep their identities a secret on-and-off the stage. They sing with their own voices while competing with each other in the form of duo or trio duels. The audience and the jury try to guess who the competitor is, with clue packages given in prepared videos prepared as well asking questions to the masks. The contestant who gets the least votes from the audience with their performance at the end of their match gets sent to risk. Finally, the contestant who gets the fewest votes among the masks at risk is eliminated from the contest and must remove his or her mask.
The master of laziness takes a family man as his apprentice.
The most distinctive feature of this Ferhan Şensoy play, which is performed in a much sharper language than what today's stand-up comedians describe as an interactive game, is that it takes place inside a ship...
Haldun Taner Cabaret See what Ferhan Şensoy says about Haldun Taner, the greatest master of art, writer and theater performer of our country, "he is my father," Ferhan Şensoy, who is so devoted to his master, created a cabaret setup for him, turning his stories into sketches and creating a magnificent play. accomplished.
Brother Gokhan, Accountant Servet, Meatball Necmi and Del Piero Hikmet are released from prison on probation and they join group therapy in order to be reintegrated to society.
Written by Ferhan Şensoy, Şu An Mutfaktayım (I'm in the Kitchen Right Now) is his 30th play, conceived for Derya Baykal as a one-woman show. Baykal's everyday life, as seen through Şensoy's eyes, gradually becomes generalized, offering a satirical view of contemporary Turkey through Şensoy's lens. The play bridges the local and the universal, engaging the audience in playful banter through its musical comedy.
A harmonious comedy, not with subtle references, but with dialogues flowing in empirical (made-up) Byzantine derived from our language, this is a classic. The conversations between Justinian and Theodora, the plans of the revolutionary greens who are after Justinian's death. You will want to watch this palace comedy, which has left its mark on our memories with the conversations in the Gothic language and the gossip of the guards, over and over again…
From Ferhan Şensoy, a humorous comedy with a high dose of laughter about today's technological revolution... With computerized communication entering every aspect of our lives, you will enjoy watching the play, which describes the alienation of society in a satirical language, and see what trouble the virtual world has brought upon us, accompanied by mischievous jokes... In the virtual realm, Şensoy satirizes digital emotions, declaring, "We are in the highly electronic F-type Internet world."
One day, exhausted by the fast pace of politics, the President secretly escapes to catch his breath, even if only for a short while, and mingles with the people. As this VIP escape team, consisting of the First Lady and the President, is about to leave the borders of Ankara, another unexpected escapee joins them: the prostitute Buse.
Askin Dünkü Çocuklari, tells a bittersweet love story from the 70s to the present day, blending it with the social issues of the period.
