Acting
An aging thief hopes to retire and live off his ill-gotten wealth when a young kid convinces him into doing one last heist.
No description available.
Véronique ne cache rien en amour. Mathieu est simplement un brin fatigué. Fred peuts'adapter à tous les genres de femmes. Rémi doit trouver ce qui l’allume dans la vie.Ce n'est que dans de brefs instants de lucidité que l'on parvient à voir le monde telqu'il est.
A lonely woman spends the winter isolated and reminiscing about the past as she waits for her husband to return from a prolonged absence.
As they make their way to Schefferville, an isolated village in Northern Quebec, to settle the sale of a cottage, Sophie and Mathieu unwittingly find themselves facing a grave and unexpected situation that tests their relationship.
In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.
An architect and his wife see their relationship challenged.
Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?
Two young adults discover love by a beautiful Montreal winter night.
In the 1950s, young boys were placed in orphanages and endure harsh and austere living conditions. As a united group, they supported each other and survived despite bullying, hardship and little hope for better days. While these children were doing their best to survive, they had no way to suspect the secret dealings between the clergy, the medical profession and the government that will inevitably seal their fates. The institution faced with a precarious financial situation, the solution is to transform the orphanage into a psychiatric institute in order to obtain additional subsidies. To demonstrate the need for this change in status, the orphans are labeled as insane by the very people who took them in to help them. While their future as orphans was already precarious, they become prisoners of an asylum system from which they have little hope of being able to free themselves even as they grow older.
The story of a couple set during the summer before the October Crisis in 1970 Quebec and after it, and how they are affected by that fateful event.
A 12-year-old girl faces a father she hardly remembers after his transition into a woman.
Between her four children, her husband, her job at the hardware store, and the creditors on her back, Hélène leads a life that dangerously resembles a makeshift camp in a constant state of emergency. She muddles through as best she can.
Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.
A city neighborhood is frightened by a strangler and a voyeur. The police detectives, headed by Léopold Latour, are not very efficient in their investigations, though detective Édouard Lambert does a little sleuthing on his own.
Louise is living in Montreal, unemployed. Her sister Paulette often gives her a hard time. She only gets to see her poetry-quoting married boyfriend Julien once a week. She hangs out a lot at the dance studio in her building... Louise decides to offer an hour of her time to strangers on the street. "An hour of myself", to do whatever they want to do. But one hour precisely, that's it. This leads to many different situations, some funny, some sexy, some sad. Louise talks to someone who later turns out to have been an undercover reporter. The reporter anticipates a bad end for Louise...
The true identity of an undercover RCMP narcotics agent is discovered by the criminals he is investigating and his family pays the price.
