Peter Plummer

Inheritance was a 1967 Granada produced ITV drama based on a 1932 novel by Phyllis Bentley. The ten-part period drama revolved around the fortunes of the Oldroyds, a Yorkshire mill owning family from 1812 to 1965. The early part of the series featured the Luddite riots involving the burning of mills and the subsequent execution of those responsible. The series turned the expression "There's trouble at t'mill" into a catchphrase. The series featured Michael Goodliffe, John Thaw and James Bolam in leading roles over the generations. Each new generation saw Goodliffe and Thaw playing father and eldest son with Bolam usually playing the part of the younger son. The series also included later books by Phyllis Bentley including The Rise of Henry Morcar and A Man of His Time.

Arnold Haithwaite is a sand pilot. He pursues his strange and solitary profession on the sands of Cumbria, beside the Irish Sea. A sand pilot, like a sea pilot, must know his way about; he must have a strong sense of locality and identity. But now another figure haunts this strange landscape: a sinister intruder who claims to be the real Arnold Haithwaite...

Three teenagers discover a mysterious set of owl and flower-patterned dinner plates in the attic and the magical ancient legend of the "Mabinogion" comes to life once again in their Welsh valley.

It happens in almost everyone's life. There is a special day - a day of unusual significance. A turning point in life, perhaps in career, romance or fortune; a day to remember. This anthology of plays, each as individual as the people and events portrayed, looks at seven such Red Letter Days.

Television version of the Andrew Lloyd Webber musical.

Weird tale of a sci fi convention and a family who are apparently being taken over by vegetables.

Science-fiction comedy: Junket, a schoolboy, borrows an apparatus invented by the absent-minded science master for transporting matter - and, by accident, makes it work...

In Granada TV’s 1974’s Starmaker, head Kink Ray Davies proved once again that he’s not like everybody else, producing a rock opera for television that tells the story of an insufferable, vain, egotistical rock star (played by Davies, naturally) who switches places with an “ordinary person” named Norman, working in Norman’s crappy job and living Norman’s crappy life to find inspiration for his next album. (Well, it’s a little more complicated than that…) Davies’ play reveled in breaking the fourth wall: cameras and microphones are visible throughout and the play’s author/star himself even ends up a member of the audience. Starmaker was a dry run for the themes of the Kinks’ 1975 album, The Kinks Present a Soap Opera.