Boncuk Yilmaz

When a mafia family named Koçovars are in danger of losing control of their neighborhood, “The Pit,” their youngest son must come back home, a place he could never truly escape.

Three friends arrive in a seaside town, where they connect with their spiritual selves and suddenly face unresolved trauma from their families' pasts.

5 kids are working for a dark man called 'Çatal'. They find a baby in a trash bin, and because of Mercan's motherly instincts, they decide to take care of the baby; named 'Gülayşe'. Çatal, the bad guy notices the baby, thus the chaos begins by hurting him and killing a woman accidentaly who was looking for the baby. Frightened kids decide to abandon their territory. Gülayşe, the baby, is the daughter of a wealthy family couple, Bahar and Hafız Eyüboğlu. Her uncle, the boss of Çatal, kidnaps his niece for his agenda. To protect Ali from this murder, the kids agree to tell strangers they are siblings. And, a new life opens its doors when they meet a guy in their own cafe.

A young woman's forced marriage to the agha of a tribe in Southeastern Turkey leads to tragedy and social change.

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Zeynep relatives come to the land of Fikriye and win the love of the girls with purity. Ati, Zafer and Umutcan decide to keep the house overlooking the Girls Dorm. Men are living inside while girls are strolling in the yard. Insurances and electricity are cut off during the downturn. The plumber Ozgur, who is admired by all the girls, is called to dorm.

Cihan discovers her father's body; the case, assigned to her colleague Metin, tests their love as suspects emerge in this unconventional murder mystery.

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In his award-winning debut feature film, director Ahmet Ulucay portrays the innocence of childhood and the lure of the cinema for two teens in a small Turkish village. Working for a watermelon seller by day, Remet spends his evenings trying to rebuild a film projector with his friend Mehmet. Both have big dreams to be famous film directors one day.

A film by Elif Akarsu Polat and Cigdem Bozali.

Hasret has been seeing the same nightmare for some time, but she keeps living unaware that what she sees is actually remembering. A 30-year-old woman who works in a News Channel, living alone in the flat left by her musician parents who died in a car crash twenty years ago. Is it? The question creeps into her mind, and then (or maybe even before) her life through recurring nightmares: Is it possible that her parents did not die in a car crash?