Tzvetana Maneva

Just an ordinary boy from the Sofia suburbs becomes the first bulgarian undercover cop. Forced by his father when he was young to lie and cheat, Martin becomes the perfect liar. That skill, and also the hatred of the 'underworld' makes him the perfect match for a dangerous mission - to infiltrate the crime organisation of a rich and powerful businessman. While infiltrating and living in fear of being uncovered, Martin falls in love with the most inappropriate woman - Djaro's girlfriend, Suni. Just when he gains the trust of the mobsters, it appears that the real enemy is in the police. Martin is alone against all, facing difficult decisions.

In the late 1980s, stage actor Alexander Petrov is banned from theatre without any apparent reason. When he reappears, after the demise of the Communist regime, he discovers that he had been denounced by the one man he admired most, his master and friend. He discovers this fact at the very moment that he is called upon to deliver a funeral eulogy for the man. Devastated, Petrov declares that he is retiring from public life. That’s when Markov offers his help. An old acquaintance, Markov was a former director of the secret service, who has become a successful businessman. Now, in the mid-1990s, the country is wracked by unretstrained capitalism, along with violence and gang wars. Markov, an admirer of Petrov’s stage talents, offers to make him the leader of a new political party aiming at rescuing the country. Can this work? Is Markov the right man to be allied with? Petrov must make a fateful decision.

"Dear Heirs" tells the story of one big, disconnected family forced to love together under one roof in Beli Vit village in order to get their inheritance of 1.2 million euros. Children and grandchildren should live under the roof of the family patriarch for one year without leaving the village for more than 12 hours. Those events will change the characters, their desires and principles. Traditions and moderns trends meets business ideas, and the values of patriarchal family meets with the modern family.

He is well educated, charming, and gallant - a dream for each lonely lady. In reality he is a skillful swindler, who robs naive women. Cheating merchants with guilty consciences are his targets as well. This is the elusive protagonist of the movie. He constantly changes his name, stages his own death, and travels from town to town. His exploits are myriad and his life is an endless adventure. Yet, he remains an amiable swindler, an unrealized actor, whose only goal is make his life more interesting.

Impure Blood (Serbian: Нечиста крв, Nečista krv) is a 1996 film adaptation of the Impure Blood novel written by Borisav Stanković. It is concerned with themes of Serbian south, in the reforming in late 19th century.

Apostol, an architect on this side of forty, meets by chance Bella at a swimming pool on the night of her graduation party.

A couple of young ladies decide to obtain a driving license. The film is a true comedy of relations, caused between the driving-teacher and the beginner-drivers.

The seven women inmates in Poslednata Duma are imprisoned because they have been associated with partisans opposing the fascist puppet government of the German Nazis. Each of them has the power to save herself if she will betray the others, and each bravely refuses to do so, even though it means they all will die. Despite their grim situation, and the atrocities perpetuated on them as political prisoners, they manage to laugh, and even celebrate a festival.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

1197. King Kaloyan ascends the throne in hard times for Bulgaria. The country is still recovering from a century of Byzantine subjugation. He is forced to carry out a very flexible foreign policy in order to strength his positions. Pope Innocent III recognizes him as Emperor (Tsar), but a little later the fourth Crusade crosses the country under Emperor Baldwin. A new conflict is coming. Tsar Kaloyan wages the decisive battle at Adrianople and wins.

Vesa, a 16-year old Bulgarian girl, cannot speak. A fortune-teller predicts that the girl will convalesce if somebody sacrifices their life for her. The fortune-teller's mentally challenged nephew, who comes to hear the prophecy, follows the girl.

8-year old Alek's parents are divorced and he lives with his mother. He can feel that after the divorce there has been a big void in her life. He decides to help her by finding a suitable husband. He first decides on an athlete, then a driver but none of them seem to be good enough for her. Then he runs into Chony, who immediately feels as the perfect fit for mum. Alek has to figure out how to make the two of them meet and at the same time divert mum's attention from uncle Mincho. All of his plans eventually fail but Alek comes to realize that he should not meddle with his mother's personal life and let her choose for herself.

The end of the 70s. Anton Krastev, a DOP and his wife Diana are separated by the Iron curtain - she fled with their son Antoan to Western Berlin while he stayed in Bulgaria. She believes that Antoan can only be cured in Germany. But Anton can't live without his job. He works with the best film director who is a high ranking Communist. The State Security Services are keeping a zealous eye on Anton. His phone calls are being taped, his letters are being read. His close relations to the power people of the day make him even more suspicious. The State Security Services put an end to Anton's relation with his wife. Thorn apart, Anton and Diana go through love, alienation and hate. There comes a time though when the powerful friends of Anton lose their power and he loses everything that he's ever loved - his work, his wife and son. Thirty years later Anton shoots the story of his own life. But those who now direct the movie are the very same people who once persecuted him.

Nurse Nikolova takes care of the elderly. She faces various human destinies. Her patients spend the rest of their lives alone. They seek from her what they have not received from their own children. They love her. Nurse Nikolova touches on the complex problems of human existence.

It is a story about a group of friends who live in a small seaport town. Their lifestyle is rigorous, their joys are simple and their sex life is raw. Their concepts of man's dignity, friendship and duty are wrong and primitive. The film helps us to understand and forgive them.

Two trains uncontrollably move towards each other within temporal boundaries of a human life. One of them is taking a genial young man to his unforeseen future; he would marry his beloved; have a son; become a brilliant doctor; do his duty and save the live of enemies of the communist regime; get a 20-years sentence for that. Prison would turn out to be an unbearable nightmare; his wife would eventually give in to the tortures of the authorities and seek divorce; this would mean no one to visit him in prison. 15 years without any news about his child, only a snapshot of his family on which the tree of them are smiling and happy.

During World War II, a mountain village priest, Pop Vecherko, unwittingly shelters a disguised partisan and helps run an underground press that prints the Communist Manifesto under the guise of hagiography. When a misdelivered package reaches the Synod and triggers mass arrests of clergy, a chance grenade explosion orchestrated by local children creates chaos, allowing Vecherko and his unsuspecting ally, the mayor, to slip away unnoticed.

The middle-aged poor painter Tsokov doesn't believe in marriage, something completely unacceptable in a cramped socialist society.

The film takes us back into the times of the Second Bulgarian Kingdom - 13th century. The Bulgarian Emperor - Tsar Ioan Assen - is trying through several marriages to enlarge the State and to support the peace in it.

After working for four difficult years in the Far North, extracting timber in the taiga, Bulgarian Angel Naydenov and Russian Nikolai Pavlov, leaders of a large timber industry enterprise, became friends, as it turned out, forever. And now, meeting a friend at the Sofia airport, Naydenov recalls joint successes and defeats.