Acting
The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.
Estonia tells the story of the tragic accident of the car-ferry MS Estonia, which deeply shocked the world in the autumn of 1994. Through the moving personal stories of victims, survivors, loved ones and investigators, the eight-part series explores how it is possible that 852 people lost their lives and no one is held accountable.
Kylmäverisesti sinun (Sincerely Yours in Cold Blood) is a Finnish true crime drama television series. All episodes are based on real life cases. The show follows Helsinki central police department investigator Veli Miettinen and lawyer Mira Kataja as they tackle with personal life problems and try to keep their relationship purely professional.
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Merry Christmas is a comical interpretation of the traditional Christmas gospel set in a modern-day Helsinki
A huge train accident in an idyllic small town shocks the whole of Finland, and accident investigator Marita Kaila is faced with the most difficult case of her career. Under increasing pressure, Marita and her team try to find out what led to the death of dozens of people. But there is also a tragedy in Marita's own past, which the demanding investigation brings to the fore. Will he solve the case before the pressure becomes too much?
Journalist calls down the wrath of her readers by trying to uncover the connection between the murder of a local football hero and a cryptocurrency. Searching for the truth she risks not only her reputation, but her life.
A restaurateur befriends a Syrian refugee who has recently arrived in Finland.
Sininen enkeli vividly depicts the colorful upswing of the 1980s in Helsinki, where money grows on trees, convertibles guarantee the thrill of speed and the solarium is the new sun. Marko Hyyryläinen, who hides his country background, arrives in the city and wants his share of money and love.
Story about human relationships, love and forgiveness.
When Dillon’s father Harry races back to their tiny apartment to rescue his child, the apartment is in rubble and there is no sign of his son. Three years later, thousands of miles away in Dublin, Harry spots a six-year-old boy in a crowd and is convinced he is Dillon. Desperate to find his son, Harry’s obsession tears apart his marriage to Robin, exposing shameful secrets that lead to the truth of what happened to their son on the night he went missing.
Drug Crime Detective Oskari is the envy of his colleagues. His connections to underworld and informants is unrivaled. What they don't know is the mother of his child, Krista, is a drug addict who lives in that world. And now she's back in his life, shaking his home life on one hand, and offering new connections to knocking down the rise of drug imports. If only he could trust her.
A hotel manager of the brand-new Hotel Helsinki, is found dead one day before the opening festivities, leaving behind him a suicide note.
Recently divorced Helena is getting anxious about spending christmas alone. Her best friend invites her to spend old time christmas on a farm - only place they can afford.
The year is 1984. It's summer, and the rebellious 12-year-old girl Kid wants to stay in Gothenburg, but her mother has other plans. Kid discovers that summer vacation in Finland isn't as bad as first feared. In a few hot weeks she discovers her dawning sexuality, and experience her first crush.
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.
