Acting
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
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Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.
The SOKO Köln investigates the cathedral city with humor and often with hard work. Their cases take them into a variety of environments, from the Cologne clique to the terraced housing estates on the outskirts of the city.
Küstenwache is a German television series that tells the fictionalized adventures of a unit of Federal Coast Guard officers off the German coast of the Baltic Sea.
The unlikely police pair Verena Berthold and Otto Garber are part of a special task force investigating organized crime in Berlin. He comes from the east, she from the west of Berlin. He's a redneck, she's from a better background. This causes conflict. Over time, things start to sizzle between the two. Their team includes the agile German-Turkish Yücsel and the sluggish Georg, who, like Verena and Otto, are constantly bickering. The department manager is Lothar Reddemann. Sputnik is a former colleague of Otto's from the People's Police and is constantly coming up with new business ideas for stores and pubs where the team meets.
Stolberg is a German detective television series, starring chief inspector Martin Stolberg. The series is more serious and less flashy than other contemporary German detective series.
Mord mit Aussicht is a German satirical crime comedy television series, produced by ARD, following the adventures of Sophie Haas, a detective from the city that takes a job in the fictional country village of Hengasch. Much of the humour of the series derives from the clichés of both city and provincial lives, in a similar manner to the English comedy crime series Midsomer Murders.
When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.
