Robert Millis

Described as ‘The Mardi Gras from Hell’ and ‘Thai Halloween" PHI TA KHON is a ghost festival that takes place every year in the Isan province of Northern Thailand. Filmed on location by Robert Millis and Richard Bishop in June 2004, Phi Ta Khon: Ghosts of Isan, is shot from the perspective of a participant, ensuring an intense and immersive experience for the viewer

In Burma, many people believe in ghost spirits called NATs. They are said to possess the power to assist or devastate the lives of those who recognize them. A PWE is a ceremony held to appease a Nat. Pwes are arranged daily throughout Burma for many purposes including the achievement of success in business, a happy marriage, or improving one's health. A Nat is summoned through a Kadaw; the flamboyant and charismatic master of the Pwe dressed in elegant costume. The Kadaw is a spirit medium, dancer, storyteller, and magician who exposes the crowd to a living incarnation of the Nat brought forth through opening ritual and careful observance of tradition.

Folk cinema from the eternal never-ending collage that is INDIA. A journey through the ancient Southern Indian state of Tamil Nadu featuring Hindu trance ceremonies, street music, festivals, nagaswaram improvisations, impossibly loud cities, ancient temples, processions, devotions, decay, fireworks, abstractions and more. India is impossible to know: it is impossibly old and impossibly new, impossibly rich and impossibly poor, quiet and chaotic. Offered here is one perspective, raw, captured live and in the moment, with an emphasis on India's complex and mesmerizing sounds.

An audio and visual recording from Seattle in 2004 shows a group that is both aware and committed to its history, while still demonstrating the power of the experimental to drive an enormous cudgel through the heart of those who believe to have all the answers.

Filmed throughout Southeast Asia by Robert Millis between 2002-2004, My Friend Rain is an abstract homage to the endless monsoon cycles of rebirth and destruction. Dreamy musical segments, fleeting glimpses, odd sounds, temple shrines, tropical backdrops, decay, death, languid afternoon rains, and mysterious celebratory events take the viewer from soaked mornings in the lowlands of the Irrawaddy delta to humid nights on the streets of Isan province.