Ferenc Török

A subway enforcement officer working in the oppressively gray Budapest metro gets a chance at love — but first he needs to find out why passengers are jumping — or being pushed — to their deaths onto the tracks.

An unsettling feeling overwhelms a small Hungarian town when two orthodox Jews arrive with a mysterious trunk. As residents begin to speculate on the purpose of the visit of these two strangers, order starts to crumble in town with some pursuing devious plans and others finding remorse in their hearts.

New York, 1961. Alexander Ivanov, a high-ranked Soviet bureaucrat, reluctantly defects to the West while is part of a diplomatic mission, feeling the grief of being unable to know the fate of his wife Katya, whom he has had to leave behind in Moscow. Only many years later, in 1991, he will finally find out the truth when his niece Lauren travels to Moscow to participate in a painting exhibition.

Anthology film made as an act of protest against Hungarian government of Viktor Orban.

No description available.

After a mass-collision in the morning rush, people from different backgrounds are forced to directly interact with each other.

1989 is an important year in the political history of Hungary. However, Petya and his friends couldn't care less. They are about to graduate high school. The only important things to them are the parties, girls, making some easy cash. And of course, passing the upcoming exam with the leaked questions.

No description available.

Housewife Katalin Munk has her world torn apart when her lecturer husband János arrives home to tell her that he’s leaving her for a younger student of his. Katalin falls into a state of shock and wanders about the streets of Budapest in just her dressing gown carrying a pair of scissors. After a series of misadventures, Katalin eventually ends up in Turkey, where suddenly Katalin is awakened and decides to start a new life after meeting local man Halil. Meanwhile her son Zoli tries to hunt Katalin down.

"A bus came..." consists of five loosely connected sketch films; the only thing that connects them is that each one is connected in some way to a bus route in Budapest. The mini-films, which are very different in mood and style, were made by Ferenc Török (Shoes), Árpád Schilling (No Comment), Viktor Bodó (Quarter Hour), György Pálfi (Táltosman vs. Ikarus) and Kornél Mundruczó (St. John of 78) with the professional and friendly support of Miklós Jancsó, who also provided the basic idea for the film.

Aspiring director Kishorváth seeks approval for his debut film, based on his grandfather’s odd ’60s protest: he and friends formed a “Danube Indians” tribe, donned moccasins and withdrew from society under strict moral codes. In the paranoia after ’56, the group’s strange weapons, secretive speech and ties to Americans draw government suspicion. When a censor on the approval board, whose own family was involved, challenges the tale, Kishorváth digs deeper into his grandfather’s true story.

A collective film made by ten prominent Hungarian filmmakers to express what each of them wishes to bring with them of their own culture and personal experience with Hungary's accession to the European Union.

Three young friends, from the Hungarian countryside, want more sex and excitement in their life. Together they undertake a journey to Lake Balaton, where they hope to find plenty of summer fun as well as a temporary job.

A runaway bride, a taxi-driving dreamer longing for a mysterious ocean island, and a basketball‐obsessed flirt cross paths in Budapest, igniting a chain of unexpected twists, mafia run-ins, a secretive club, an enigmatic singer and an absurd abundance of pineapples. Their chance encounter turns ordinary days into a fairytale of love entanglements and life-changing adventures.

One day of a Hungarian stock trader.

Hungarian tales around the end of the regime(s).