Acting
Szomszédok was a Hungarian television series, occasionally called the Hungarian Dallas, that ran from 1987–1999 and produced 331 episodes, airing its grand finale on December 31, 1999. The series was a soap opera, dealing with the lives of ordinary people, living and working in or around an average lakótelep. Its characters were explored, over time, in equal depth: ranging from elderly pensioners, busy middle aged professionals, up-and-coming young people, and children growing into their teens. Many consider Szomszédok to be the definitive Hungarian television series, being a period piece of sorts that covers the last few years of the communist era, the rendszerváltozás, and nearly a decade of the new market economy Hungary thereafter.
This Hungarian film chronicles the slow deterioration in the life of Juli, a farmer's wife. As the countryside grows ever more deserted because people are moving to towns or large collective farms, she spends more and more time alone. Despite her best efforts to appreciate her situation, her despair grows. The loneliness is briefly interrupted when she and her husband take in an old woman and care for her, but the woman dies. Shortly after her son visits, she is killed in an accident which may have been a suicide. ~ Clarke Fountain, Rovi
The scene is Ukraine. In 1943, after the Hungarian' defeat at the river Don, soldier Balogh decides to visit his family.
The film is a historic parable about the topicality of revolution. 1514. The peasants' uprising is over, Dózsa has been arrested. Werbőczy tries to get the imprisoned peasant leader deny the revolution and offers him the lives of his people in exchange.
The story recalling the spirit of Gilgamesh, the Sumerian king quarrelling with his approaching death, takes place in a cancer hospital in Budapest. Dávid, the young ethnography scientist resigned to his lot and is indifferent to his approaching death. His specialist reckons, however, that such a searching and stubborn mind with thorough knowledge of the nature of his own illness, will be able to fight death.
On the novel by Mór Jókai. The first half of the XVIII century. Several decades of life of a noble family Karpati.
A 40-year-old sculptor returns home to witness the baptism of his young nephew. His return prompts a series of flashbacks to his youth and the political upheaval experienced by his family and friends.
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A young doctor named Zoltán flees Budapest for his father’s rural estate after performing an illegal abortion on his lover that results in her death. While hiding in the countryside, he attempts to grapple with his guilt and the moral weight of his actions while reconnecting with his estranged family. His isolation is interrupted by a burgeoning relationship with a local woman, Mira, which forces him to choose between permanent escape or facing legal and ethical accountability.
After the failure of the Kossuth's revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.
This ironic comedy is set in the god-forsaken Kiskúnbékás, at the end of the fifties. There are no jobs, the town's "golden team", who once were third class national soccer players have scattered
Against the backdrop of the Adolph Eichmann trials, an elderly paraplegic pharmacist is summoned to the police station, where he believes that his hidden wartime guilt has caught up with him, unaware that it is all in fact an elaborate practical joke.
The changing and turbulent history of Hungary is seen through the eyes of three men over a 30-year period in this somber drama. The three recall the highlights of their lives in flashbacks as they reminisce in the mid 1960s. The venerable trio begin their story in the 1930s, through World War II, and the decade beyond the communist invasion of 1956.
Huszárik's graduation film was another short entitled Groteszk (Grotesque) in 1963 about a strange train voyage of an artist carrying his own picture.
Andras Kovacs' film, considered one of the most important Hungarian films of the 1960s, centers around four men who await trial for their involvement in the massacre of several thousand Jewish and Serbian people of Novi Sad in 1942. Each denies any responsibility, claiming that they were only following orders. The film is significant for its willingness to address the subject of Hungary's role in WWII, which was taboo at the time of the its release.
Set in the 1890s on the Hungarian plains, a group of farm workers go on strike in which they face harsh reprisals and the reality of revolt, oppression, morality and violence.
For the first time after 11 years, Simon, a young historian visits the village of his childhood at Balaton and Aunt Lina, his foster-mother. He gets upset by what he experiences there: the old woman's troublesome and vexing everydays, her quiet sadness. He is overwhelmed by his own memories, the death of his foster-father and by everything he was not aware of before, or he simply wanted to forget.
Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.
In the aftermath of World War II, a Hungarian teenager, captured by Soviet troops, forms an unlikely bond with a Russian soldier in a remote prison camp.
