
Marcelo Tas
Acting
Known For

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Que HistĂłria Ă© Essa, Porchat?

Nino is a 300-year-old boy who lives with his uncle, Dr. Victor, a sorcerer and scientist, and his great-aunt Morgana, a 6,000-year-old witch. The three of them live in a castle in the middle of the city of SĂŁo Paulo. Apprentice sorcerer, Nino has never attended a school, because of the unusual age of 300 years. His parents left him living with Victor and Morgan, because they needed to travel on an expedition into outer space, taking their two younger brothers. In spite of having animal and supernatural friends in the Castle, Nino, feeling lack of friends like him, decides to do a spell he learned with his Uncle Victor, and ended up bringing to the Castle, three children who had just left school. Free of loneliness, Nino receives the visit of the three daily.
Castelo Rá-Tim-Bum

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#Provoca

Five great names from the Brazilian stand up, from different regions of the country, come together to share everyday matters and the particular characteristics of Brazilians in a comical, acidic and fun way.
The Fault is Cabral's

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Programa da Maisa

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Papo de Segunda

In each episode, a story unfolds about how a couple's passion turned sour, as love succumbed to jealousy, hate and even crime.
Passionais

The story, set in the 19th century, portrays the hypocritical bourgeoisie of the time. The eccentric Dr. SimĂŁo Bacamarte is a doctor who will develop his theories about the treatment of madness, knowledge acquired during his stay in Europe. The city is left at the mercy of this man who decides, at his own risk, to judge who were the madmen in the city and who were the sane...
O Alienista

Custe o Que Custar is a Brazilian television comedy show, produced by Eyeworks and aired weekly by Rede Bandeirantes since March 17, 2008. It is presented by Marcelo Tas, and has in its team Marco Luque and Oscar Filho. The news reports are conducted by Felipe Andreoli, Monica Iozzi, Mauricio Meirelles, Ronald Rios and Dani Calabresa. The program covers weekly events from Politics, Arts and Sports, from a humorous and satirical viewpoint. It oftens uses metalanguage by satyrizing the very program on live transmissions, and introducing graphics and sound effects from the subjects. The format comes from Argentina, when it was originated under the name Caiga Quien Caiga, created in 1995 by Mario Pergolini
CQC - Custe o Que Custar

VĂdeo Show is a long-running Brazilian TV program on Globo TV. From its debut in 1983 to 1994, the show aired weekly. Since then, it has been airing from Monday to Friday at 1:45 pm, following the lunchtime news, Jornal Hoje and being one of the most-watched afternoon shows. Currently hosted by the actor AndrĂ© Marques, its format is that of a daily "electronic magazine", where the network's backstages are shown, with on-set and behind-the-scenes footage on Globo's series and telenovelas, including bloopers, interviews with the actors, directors and authors, funny segments with scenes from soaps, and old videos from the network's archives. At the end of the show, there is the VĂdeo Game segment, consisting on a week-long game show hosted by AngĂ©lica, where actors, divided into two teams, must answer questions and complete funny tasks related to the network's current and/or past shows. The winner team is announced on Friday, and donates the prize to a charity of their choice. The opening theme is based on Don't Stop 'til You Get Enough, by Michael Jackson.
VĂdeo Show

Three young friends, Tita, Mari and Aninha decide to change their situations and travel to a beach place for a weekend. On the road, they meet Estrella, a hippie that wants a hide to try to find her unknown father. Together, they will live hilarious, absurd and moving situations. More than a change the air, they change themselves.
Muita Calma Nessa Hora

Tarsilinha sets off on a journey to save her mother’s memory. The only way to do this is to find her mom's stolen keepsakes and overcome her own fears.
Journey with Tarsilinha

The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.
Villa-Lobos: A Life of Passion

An aspiring actress is hired to dub a recently deceased movie star in an upcoming erotic thriller. As the recording sessions go on, the voice actress finds herself slowly being influenced by the dead star’s presence.
Naked Star
Reunion of four reportages made by production company "Olhar EletrĂ´nico" between 1983 and 1986, in which an irreverent reporter, Ernesto Varela, a creation of actor/director Marcelo Tas, tackles some hot topics, such as money evasion in Brazil, gold-digging at Serra Pelada, the homeless in SĂŁo Paulo and a love story spoof.
Olhar EletrĂ´nico

The day a man almost runs-over a puppy, he meets the love of his life. The couple and their dog live the dream, until she wants out.
Mato Sem Cachorro

Four love stories which portray a wide gamut of emotions and desires against the backdrop of Rio de Janeiro. "Elephant's Stomp" : the story of a highway patrol officer who is infatuated with a mulatto dancer at a local nightclub. "Drao" : a publicity man and a boutique owner who face a crises in their marriage. "You Are Beautiful" : two homeless teenagers seek love amidst their personal misery. "Samba of the Great Passion" : a book maker who is charmed and captivated by the voice of a female singer coming from a building across the street. Characters in search of love in order to escape from the boredom, loneliness and helplessness of their lives.
Rio's Love Song

Brazilian soccer players SĂłcrates, Casagrande and Vladimir lead a historic movement in sports by adopting a democracy within their team, making a statement against the country's military dictatorship.
Democracia em Preto e Branco

Through testimonies from partners, workers, collaborators, artists, and people who followed the productions of Lira Paulistana, the film tells the story of this cultural phenomenon, a catalyst for the new musical trends of the time, which took place in SĂŁo Paulo between 1979 and 1986. In addition to showcasing the undeniable importance of Lira Paulistana as a stage for avant-garde music in SĂŁo Paulo, highlights its significant role in other areas, such as record production, journalism, editorial work, and the visual arts.
Lira Paulistana e a Vanguarda Paulista

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