Erdem Ergüney

One of Turkey's most iconic and influential dramas, Valley of the Wolves follows Polat Alemdar, an undercover agent who infiltrates Istanbul's most dangerous crime organisation after years of preparation. Combining organised crime, covert operations and sharp political commentary, the series fearlessly tackles Turkey's shadowy relationship between the state, the mafia and power — and became a cultural phenomenon that spawned multiple films and spin-offs.

A continuation series of Osman Sinav's The Wolves Of The Valley. This produce focuses on politics, National Security and Regional Middle East problems. The Wolves of The Valley: Ambush serie also attracts attention by two film; The Wolves of The Valley: Iraq and The Wolves of The Valley: Palestine.

The fight of Abdülhamid II to keep the Ottoman Empire and Caliphate alive.

It can be considered a pioneer of absurd comedy on Turkish TV channels. It has a very original script and a warm atmosphere. It has a structure that is never tiring to watch, and it leaves behind a considerable legacy of subtle and high-quality jokes for future generations.

The fight of Hace Ahmed Yesevi, who was sent to Baghdad by Yusuf Hemedani.

Polat Alemdar and his friends continue to struggle, in the last two seasons against MAFIA, but in this season against the terrorists organizations, in a particular PKK, Kurdish organization. This season stopped after only two episodes, because political reasons, and replaced with KURTLAR VADISI: PUSU series...

No description available.

After the Freedom Flotilla attempts to bring humanitarian assistance to Gaza refuses to turn back, it is attacked by the Israeli military. In a dramatic battle scene, activists resist and are killed by the Israeli soldiers. A Turkish commando team led by Polat Alemdar (Necati Şaşmaz) travels to West Bank in Palestine, where they launch a campaign against Israeli military personnel in an attempt to track down and eliminate an Israeli general, leader Moşe Ben Eliyezer (Erdal Beşikçioğlu), who is the responsible for the flotilla raid.

Retired security intelligence agent Iskender Buyuk has kept his government's secrets for years but when the men he has sworn to protect suddenly desert him, Iskender finds himself in the defendant's chair with only young and inexperienced lawyer Ayse to represent his interests. Understandably angered by this turn of events, Iskender decides to strike back against his one-time employers by revealing all he knows about covert op missions.

On his first night back in his hometown of Kütahya after living in Paris for many years, Oktay is once again confronted with the reasons that have kept him away from home for so long. As he is about to leave the city again, he happens to walk into the home of a distant relative and meets Ayşe. Ayşe is a rural woman who is unhappy in her marriage and cannot fit into the small world confined by four walls. Oktay and Ayşe find happiness in each other after many years. The only way to sustain their happiness is for Ayşe to go to Paris with Oktay. Ayşe, perhaps for the first time, is faced with the opportunity to be happy and must choose between everything she knows as life. Ayşe’s decision will also determine whether Oktay, who has never felt at home anywhere, will end his “guest” status in his own life.

When the devastating Kocaeli earthquake occurs, the Turkish government passes a special law allowing people to complete their military service in a month.

Viktor is no longer alive. Anton travels to Istanbul to break the sad news to Aylin, a mutual friend. In this short film, Irem Gökçen and Aron Eichhorn create a study of things that are lost and those that are beginning, oscillating between the unsaid, melancholy, and courage.