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Rudi van Dantzig

Rudi van Dantzig

Acting

Biography

Rudi van Dantzig was a Dutch choreographer, company director, and writer. He was a pivotal figure in the rise to world renown of Dutch ballet in the latter half of the twentieth century. He was co-director and then artistic director of the Dutch National Ballet from 1968 and 1991, and later did choreography for major companies such as Ballet Rambert, The Royal Ballet, the Royal Danish Ballet, American Ballet Theatre, and the Paris Opera Ballet.

Known For

For a Lost Soldier
6.8

In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.

For a Lost Soldier

1992Movie
Het Testament van de Danser, de Dichter en de Tekenaar

On May 5, 2002, a conversation was broadcasted by the Dutch interviewer Wim Kayzer and three Dutch artists: the choreographer and writer Rudi van Dantzig (then 68), the songwriter and poet Willem Wilmink (then 65) and the illustrator-storyteller Marten Toonder (then 90). Three artists who would leave behind a magnificent legacy in terms of imagination, poetry and dance. But also three modest muses: they did not often and certainly not loudly beat the drum, while their work gave every reason to do so. Wim Kayzer had asked them to draw up a provisional testament. A testament about love, suffering, sexuality, the society in which they grew old, their work, their dreams, their youth, the Second World War, liberation, death and God.

Het Testament van de Danser, de Dichter en de Tekenaar

2002Movie