Pilar Miró

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez

Madrid, 1962. More than twenty years after the civil war has finished, a communist comes back to Spain to kill a traitor.

Osa de la Vega, Cuenca, Spain, 1913. Gregorio and León, employees on the estate of the village's mayor, a powerful landowner, are arrested and accused of the murder of José María el Cepa, a shepherd who mysteriously disappeared three years earlier.

An ambitious young woman from a wealthy family, but unsatisfied with her social position, will not hesitate to use all that is within her reach to achieve her ascent in society.

Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.

A sensationalist television show unravels the sordid story of Luciano Fernández and analyzes the possible motives that led him to murder a child. (Inspired by a real event that occurred in the forest of Verrières, Paris, on May 27th, 1964.)

This adaptation of Goethe's The Sorrows of Young Werther offers a chilly and remote view of love and its passions. The setting is changed to Spain, and Werther (Eusebio Poncela) has taken a job tutoring the son of an estranged husband and wife. The boy's mother is a surgeon and therefore a rather uncommon woman for her society. She and Werther gradually become romantically involved, and his feelings for her begin to run much deeper than is apparent on the surface.

While some people need to be surrounded by friends to be happy, Carmen (Mercedes Sampietro) is perfectly content by herself, pursuing her vocation as an art restorer. But her bubble of isolation is punctured when she becomes the survivor of a violent assault. Shaken by the incident, Carmen decides she needs a break from it all. So begins a soul-searching journey that takes Carmen back to her hometown in southern Spain, where she contemplates the joys and sorrows of her past.

A woman nearing her forties, Andrea Soriana, has always pushed aside personal questions and romantic relationships in pursuit of professional success. Now a major illness forces her to reconsider her life--work, family, friendships, men-- causing a psychological and emotional crisis pushes her toward a drastic decision.

Bruno and Micky are two young people who abandon their studies to dedicate themselves to song. When Bruno meets Mayte and becomes a fashionable singer, he forgets about his closest friends. But success is short-lived ... One of the most delirious manifestations that Spanish cinema saw of the 'ye-yé' hatching, with an absolutely priceless Micky, half-self-interpreting, like Bruno Lomas and Massiel. The story revolves around the desire to succeed that drives the trio, as well as the romantic relationships established between them. Seen today, it must be as delicious as it is moving, especially considering that it premiered a year before Massiel caused a national earthquake by winning at the Eurovision Song Contest with the famous "La, la, la".

Adaptation of the famous Balzac novel

Rocio and Raphael are a young couple from a small Spanish town. Rocio must mourn the death of a relative for six months and is forbidden to see Raphael. Very much in love, they are frustrated by the old-fashioned customs of their village. When they can finally see each other, the two plan to soon marry. Unfortunately, the girl's grandfather dies and she must start the process of mourning all over again. This time Raphael begs her to rebel against her family and the villagers, but she refuses for fear of persecution. When Rocio has had enough of putting her own happiness aside, she decides to run away with Raphael in spite of what her family will say. Things do not go as planned, however, when yet another family member passes away.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

Jose Antonio Amor co-stars with Sonia Bruno and Maria Blanco in this comedy drama about a married man with three children. When his family leaves on vacation, the man has an affair with a pretty office worker. The relationship between the two develops slowly before they end up in bed together. Speeded up shots are used effectively to illustrate the thoughts of the characters. Technical aspects and performances are fine and overshadow some uneven editing.

Elena, a shy and unmarried girl, belonging to the upper middle class and somewhat marginalized from the general environment, embarks on a trip to the family farmhouse one morning, and when she returns to the city that same day, at night, she is forced to take a strange woman in her car.

Victor is the engineer who has set up the Nuclear Power Plant Zapater. Alongside his professional problems he also hasa difficult family situation: a divorce, a teenage homosexual son, a relationship that is not satisfactory, the emergence of a new woman. With just a few days to the inauguration, Luis Maria, an engineer close friend of Victor, responsible for a serious accident in the past and addicted to alcohol, warns of the possibility of a malfunction of the plant. Nothing guarantees the truth of this warning, but to find it out the inauguration is suspended

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

Angel Barciela and the police inspector Francisco Valduque meets after several years in the funeral of Buendía engineer. Both expect to see Julia, the daughter of the deceased and one of those involved in the investigation.

Based on the life of the famous Cordoban philosopher of ancient Rome.