Tonie Marshall

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Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

A talk show presented by Michel Drucker

Les Cinq Dernieres Minutes is a crime based French television series

X Femmes is a French television series of short films shown on Canal+ in 2008–2009. They were shot by female directors with the goal of producing erotica from a female point of view.

The action takes place - as the title suggests - in a Palace, a really nice hotel. Funny scenes happen in different places: the kitchen, the reception, the elevator, the rooms, ...

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The story centers around a graduating class of "less-gifted" students in a private Versailles high school. Only a miracle has brought the students this far along, and after a practical joke misfires and the whole school is dynamited, the students are in deep trouble. They have to present themselves in court for their punishment and it could not be worse: If they don't pass their high-school graduation exams, they go to prison!

Lambert, a recovering sex addict, tries to redeem himself by becoming a marriage counsellor. He stays abstinent for several months, but his alluring assistant's unbridled sexuality tests his resolve.

People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by

Diane Kramer is led by one obsession: to find the driver of the mocha color Mercedes which hit her son and devastated her life. With a few belongings, some money and a gun, she goes to Evian, where she's learned the driver lives.

Aging beautician Angèle, already wounded by a long-ago romance, gets awkwardly dumped at a train station. Witnessing how she turns around a humiliating situation, younger sculptor Antoine becomes so smitten that he breaks up with his fiancée and sets out to win Angèle's heart. Meanwhile, Angèle attempts to quash the budding romance of her young co-worker, Marie, and a much older widowed client, despite their obvious rapport.

Francois Cluzet and Karin Viard are the couple behind a French shopping channel whose business and marriage are both drifting towards the rocks, with Nathalie Baye as a smiling Rottweiller out to steal their business by conning them into offering a duff product, the 'Fear Eliminator,' and picking up the network for pennies in the ensuing financial fallout.

Marco Mazzetti, a driving instructor, lives with his wife Irène and their young son. After a series of nauseous dizzy spells he goes to the doctor and discovers that he is four-months pregnant. Marco then becomes internationally famous.

A missed highway exit leads Darry Marzouki, an unemployed magician, to cross paths with Irène Montier Duval, a wealthy woman carrying a Hermès bag full of cash. Out of love, she acted as an intermediary in an arms deal between a French minister and Korea. When the deal was exposed, the minister tried to pin the blame on her. On the run, she offers to pay Darry to drive her to Geneva in his BMW. The problem? The BMW isn’t his—he impulsively stole it from his hot-tempered brother-in-law, who’s out for blood. Unable to accept Irène’s offer, Darry pretends to be an activist heading to a summit in Locarno. Irène, eager for a change, plays along. They have little in common but spend three unforgettable days together—while being chased by Koreans, French intelligence, a minister, and the furious brother-in-law. In the end, one finds love, the other freedom.

A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.

Georges,a trucker, is the single father of young Frédéric. His job prevents him from seeing his son as often as he could, as often as he should. Brought up by his grandparents, Frédéric proves a difficult child. His only friend is his twelve-year-old neighbor Rose. One day, Georges tells his son how Agnès, his mother, abandoned him at birth. Upset by such a revelation, Frédéric decides to be revenged...

François has everything he could ever want, until he is kicked out of the house by his wife after his umpteenth slip up; after moving back in with his parents, he vows to win her back.

Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.

"Un enfant dans la ville" was originally a Michel Fugain album, a record that already told a story. Now it's a musical comedy filmed for television, giving life to its characters and taking up the story of the record, that of today's generation, not quite at ease in their sneakers and trying to untie the laces of truth.