Jelena Juklová

A Czech medical television series that focuses on an emergency department. Each episode follows cases inspired by real-life stories and the cases of patients and healthcare professionals.

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The life of Anne Frank and her family from 1939 to 1945: pre-war fears, invasion of Netherlands by German troops, hiding in Amsterdam, deportation to the camps, return of Anne's father.

David (Jiří Macháček) has one task: to investigate paranormal cases. But he doesn't feel like it. It's the 1980s, and there are a lot of annoying people who call each other "comrade." He doesn't believe in anything paranormal anyway. He prefers to sit in his office, pretending to work on research into satanic references in Western music, and enjoys listening to LPs that no one else in the country has. The world would be beautiful, but his superior assigns him a new colleague, Vojta (Jan Cina). This overzealous newcomer talks about pushing the boundaries of human knowledge and how science doesn't have answers to all the mysteries of the world yet. This mismatched duo has no choice but to cooperate in investigating bizarre cases that all other security forces in the state can't handle. To make it harder, they are constantly monitored by a pair of StB agents – the tough agent Snížková (Anna Fialová) and the sweetheart Hora (Leoš Noha).

Iveta wants to be a famous singer. The journey leads from the children's choir through singing competitions, recording the first hit and record to nationwide fame. Iveta has to convince parents, jurors, producers, spectators. The only one who believes in her from the beginning is Petr Sepéši. Her first love. What is the price of a dream come true? The beginning of Iveta Bartošová's life story.

A model Communist village is visited by a flying saucer.

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Soviet engineer Kuznecov is coming to Prague as an expert on work with the tunneling shield in construction of the metro. He is returning after more than thirty years. In May 1945 as a young soldier in the Red Army he was seriously injured in the liberation of Prague and while recovering experienced a great love with a young teacher called Vera.

During an unsuccessful burglary attempt, Jaroslav accidentally kills his old neighbour. His wife, Dana, concocts a plan to make the murder seem like an accident. Another neighbour stands in the way, however, whom they also have to eliminate. Dana convinces Jaroslav to help her. They attempt to use this incident to solve some of their financial problems. With the vision of easy money, the Stodolas start killing elderly people. Initially, they proceed to cover up the murders as accidents or suicide and the police do not do much to prove it otherwise.

The fifteen year old Maruska starts as a new staff in the porcelain warehouse. For the boss Svetla it is the last straw. She asked to extend her staff consisting of four girls and a retired lady by a man, not a child. The kind and ever fussy Svetla, battling in vain with overweight decides to leave her position and to take another one in the office. As soon as she finds out that the position will be taken by Arnost Jarolím, she insists on a hand over inventory.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

The main character, Klára, can still be just as insecure and confused at forty as she was at eighteen, only it doesn't look so cute anymore. Her marriage ends overnight, and she finds herself once again in the unpredictable world of dating and dating mishaps. She's raising two daughters, trying to survive her eccentric mother's lifestyle, and on top of that, she starts getting advice from an amazing relationship coach and influencer. Up until this point, she had her life pretty much planned out, but now she's become self-taught.

A holiday story about first tentative love, set in a romantic cottage village on the banks of a river. There, a 15-year-old girl feels lonely and confused, bitterly reliving her hopes and disappointments...

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An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.

The waitress Gita from the hotel "Bobí vrch" approaches her lover who has not left his wife yet and gives him an ultimatum: if he does not do all according to her wish, she will announce to the police his machinations with foreign currency.

Rock concerts used to be suspicious. They were supposed to attract all sorts of strange individuals who meant no good. In this case, it's a pair of escaped convicts who want to hide in the heat of the concert...

Nina is pregnant with Jakub. Today, he introduces her to his family. They’re all gathered in the hospital at the bedside of his grandfather. Just as the young lady tries to put on a brave face, she is faced with the surprising reaction of the dying relative: he wants to see her breasts. This sparks a debate to which she is not invited – should the patriarch’s last vow be satisfied?

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