Wim T. Schippers

Talk show hosted by Matthijs van Nieuwkerk containing a mixture of news, information, television bloopers and general entertainment.

This VPRO's ‘summer classic’ is based on an equally simple and refreshing idea that originated in 1988: When during the summer most of the channels are showing reruns, ask interesting people people to curate their ‘favorite television evening’ and let them clarify the fragments in a long-form interview/conversation. The programme was first aired in 1988. Each episode takes up an entire Sunday evening, lasting typically three hours. It consists of an in-depth studio interview with a notable Dutch, Belgian or other Dutch-speaking foreigner, interspersed with cinema or television footage selected by the guest, which is subsequently discussed. Guests include writers, scientists, television personalities, politicians or business people.

A cat who turns into a young woman helps a journalist protect their town from a factory boss with an evil plan.

We zijn weer thuis is the last of the television series that Wim T. Schippers made for the VPRO. Written by Schippers and directed by him and Ellen Jens, the dramady series ran from 1989 to 1995.

A rude man goes to restaurant 'Bon Appetit' and orders practically everything on the menu.

Sjef van Oekel escapes from prison and heads for a restaurant. Unfortunately there is nobody there to annoy. Even at the train station he is ignored by former colleagues and he ends up alone.

Dora Leenders is about to give birth. Since she was impregnated during a school reunion, she invites both men whom she had sex with that night to her flat to witness the birth.

Van Oekel's Discohoek was a Dutch television show, aired on VPRO in 1974-1975. The show, written by Wim T. Schippers and produced by Ellen Jens, starred Dolf Brouwers as Sjef van Oekel, and parodied music television programs of the era. Artists lip-synched their songs, but were frequently interrupted and insulted by van Oekel. The show had a real coup when Captain Beefheart made an appearance.

Plafond over de vloer is a Dutch television show in nine episodes, aired in 1984 by the VPRO and written and directed by Wim T. Schippers. It derives from the radio show Ronflonflon, and its main character is that show's host, Jacques Plafond.

Martha overhears Bernard and John talking about blackmail. Jacob has come up with a plan that includes a mysterious key. Brothers Bobby and Arnold, eternal rivals, both fancy Martha, but also have a soft spot for Leonie. The latter gets tasked to learn more about Jacob's plan. A dead man is discovered lying in Bernard's office late at night by somebody else searching the premises. When the main conspirators all gather at the Zevenhuis villa, John declines to cooperate...

This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.

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The Fred Haché Show is an absurdist program with a lot of nudity (performances by naked dancers from the Helen Le Clerq Dancers), linguistic humor, nonsense, satirical sketches, and illogical plotlines.

An ode to multi-talented artist and radio and television producer Wim T. Schippers by absurdist Ronald Snijders. In a cheerfully disruptive manner, Snijders guides the viewer through a richly illustrated overview of Schippers' work, where they meet the man who could both seduce and intentionally bore, confuse, shock, and irritate Dutch television viewers. Many clips of Schippers became legendary, such as Queen Juliana cleaning Brussels sprouts, a naked Phil Bloom reading the newspaper, and the shows featuring Barend Servet and Sjef van Oekel. Schippers wrote the sheepdog play Going to the Dogs and has been the voice of Ernie in Sesamstraat for many years.

Rebellious youth program that causes a great stir by breaking societal taboos. 'Hoepla' portrays 'underground' culture, but the Netherlands is not yet ready for this in 1967. Public nudity and drunken soldiers cause many viewers and various members of the House of Representatives to condemn the program. Only three episodes are broadcast. Although 'Hoepla' gives the VPRO an innovative image, the broadcasting management decides to take the program off the air after much negative criticism and the associated loss of members. 'Hoepla' will always be mentioned in the same breath as the bare breasts of fashion model Phil Bloom. The program is produced by Hans Verhagen, Wim van der Linden, and Wim T. Schippers.

A nearly 30 minute long conversation in a living room party. Unlike in a regular TV play the jabber conversation can hardly be understood. Sometimes a line or two can be picked up. There's an intermezzo when Schippers alias Jacques Plafond comes to play one of his 'modern' piano pieces, to the disgust of the party's guests, whose chattering in the end isn't far removed from the piano play.

"This beautiful example of far-fetched blasphemy accompanies a happy, ugly nun into the woods for her constitutional, replete with charming bird noises. Praying to and fondling a priapic mushroom, she is unaware of the evil rapist shadowing her. When the rape occurs, it is in long shot, hidden from view, under a huge tree. Articles of clothes and her cross sail through the air; the tree - entirely dominating the screen - sways rhythmically and repeatedly. A few minutes later it stops; then another tree, a few feet away, begins to sway in identical fashion. The rapist finally emerges, exhausted." (Amos Vogel, Film as a Subversive Art)

Reading relay of the novel 'Oeroeg' by Hella Haasse by eighty well-known and lesser-known Dutch people. Each person reads a page aloud, after which the book is passed on to the next reader. Philip Freriks, news anchor and ambassador for Nederland Leest, opens the reading relay. Director Shireen Strooker concludes it. 'Oeroeg' is Hella Haasse's debut novel from 1948. Haasse tells the story of the friendship between an Indonesian boy and the son of a Dutch administrator at a tea plantation in the Dutch East Indies before the Second World War. Gradually, the two boys grow apart. When the narrator, the Dutch boy, returns to the Indies—which has not yet quite become Indonesia—after studying in Delft, their estrangement turns out to have grown into a chasm. The final sentence reads: "Am I forever a stranger in the land of my birth, on the soil from which I do not wish to be uprooted? Time will tell."

Het is weer zo laat!, also known as Waldolala, is a Dutch television show from 1974, written and directed by Wim T. Schippers and co-produced by Schippers, Gied Jaspars, Wim van der Linden en Ellen Jens. It was the last TV show written for Dolf Brouwers, who had played the character Sjef van Oekel in previous shows. The show ran for ten episodes, and featured Brouwers as Waldo van Dungen, formerly a waiter at the night club Waldolala, who had acquired the club after a rich woman fell in love with him and bought the place for him. The show featured other characters from the previous shows Schippers had done for the VPRO, and shared many other characteristics—nudity, vulgarity, linguistic games. The plot line and individual scenes were typically chaotic; in the end, van Dungen dies and it is revealed that the entire series of events was a kind of flashback told by van Dungen's psychiatrist. The show's alternate name, Waldolala, was explained by Waldo van Dungen as a combination between his first name and the phrase "Oh-la-la". It was also part of the title of the theme song, a "megahit" for the girls group Luv', a group formed by producer Hans van Hemert, who had been commissioned to write the show's theme song. Luv' had had two modestly successful singles with ABBA-esque songs, but van Hemert wanted to try a different style of music; Schippers and Jaspars pushed him, and van Hemert agreed to have Luv' sing the tune. They performed "U.O.Me" on the show, and the song became a hit--in hindsight, van Hemert credited the VPRO with the band's commercial success.