Alonso Echánove

El extraño retorno de Diana Salazar is a 1988 Mexican telenovela starring Lucía Méndez and Jorge Martinez. It is an unusual example of a telenovela which addresses supernatural topics.

Al filo de la muerte is a Mexican telenovela produced by Emilio Larrosa for Televisa and originally broadcast on Canal de las Estrellas from June 17, 1991, to February 21, 1992. Created by Fernanda Villeli and Marcia Yance, the telenovela stars Humberto Zurita and Gabriela Rivero. The story follows Tracy López, a young nurse living in Los Angeles whose life is turned upside down after she witnesses her boyfriend commit a murder. Placed in the Witness Protection Program under the new identity of Mariela Foret, she flees to Mexico City, where she begins working at a prestigious hospital. There she meets cardiologist Francisco Riquer, and despite their difficult first encounters, they fall in love while facing danger, revenge, and the lingering threat of Tracy's criminal past.

Canción de amor is a Mexican youth telenovela produced by Luis de Llano Macedo for Televisa and originally broadcast on Canal de las Estrellas from May 13 to September 13, 1996. It is an adaptation of the 1982 Argentine telenovela Los cien días de Ana, created by Osvaldo Dragún. The telenovela stars Eduardo Capetillo and Lorena Rojas. The story follows Ana Guzmán, a young woman whose life changes after she falls in love with Renzo, an aspiring rock singer, shortly after being diagnosed with leukemia. Determined to live every moment to the fullest, Ana supports Renzo's dreams while the couple faces love, illness, separation, and the emotional challenges that test the strength of their relationship.

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It tells the story of Carlota and Cordelia, the first a modest and withdrawn girl and the second, an ambitious and daring woman. What's similar about them is their appearance: they're identical, but they're not twin sisters. But fate will make doctor Álvaro cross their path.

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After a long exile, Gabriela returns to her family’s land to care for her ailing father and make peace with her painful past. Upon her return, she is faced with Diego, the reason why she left, and the new owner of the land.

The film got its inspiration from a real life character that killed policemen in the streets. The film narrates just how this man was pushed to committing crime.

Between chargers, noise and improvisedly placed furniture, a couple experiences a violent marital crisis, ignoring that they are observed by many characters that will soon face them with their own demons. Inspired by a work by Vicente Leñero, Gabriel Retes orchestrates a portrait without concessions of the hell of the marriage institution and love chaos, made in video format in 1990 and completed by the filmmaker more than a decade later.

Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

Life unravels when famous radio talk-show host Carmen (Sylvia Pinal) discovers she has just months to live. To tie up the loose ends of her life, she hires a chauffeur to drive her around Mexico City and visit her old haunts. But he does far more than that; instead, he gives her life a much-needed spark and shows her the road to happiness. Alonso Echanove and Raul Araiza Jr. co-star.

A group of punk chicks living in the sleazy streets of Mexico City. They mess around with a Santa Claus, listen to bands play live, rob people and even kill them.

Two reformatory kids grow up and become movers in the drug trade.

In 2033, Mexico City is a hot, mechanical and chaotic megacity ruled by the military and a tyrannical government. It is an oppressed society with its religious faith and liberty of expression stolen. Pablo, the main character, is a young finantial yuppie that gets shelter in drugs and alcohol. He leaves his privileged life in order to help the unprotected and destroy the system that controls the population.

Claudio, a womanizer, contracts AIDS due to his promiscuous lifestyle, and, in the hospital, he meets Mauricio, a homosexual Evangelist who is also infected and will discover Jesus to Claudio.

Mexican feature film

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it's no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?

A naïve rookie in the Mexican highway patrol must adapt in order to survive as he contends with widespread corruption, dangerous drug runners and the consequences of his often morally gray actions.

The film tells the story of the Boteros, a middle-class Mexican family struggling against poverty after their father's death. Ignacia (Egurrola) is the Boteros mother, a desperate woman who chooses to sacrifice the destiny of her three older children, in order to protect Gabriel (Laguardia) the youngest one. She believes Gabriel will climb the social structure and bring back the lost fortune to the family. But destiny has other plans for the Boteros and tragedy will overcome eventually. Based on the novel of Nobel Prize winner Naguib Mahfouz.