Alonso Echánove

El extraño retorno de Diana Salazar is a 1988 Mexican telenovela starring Lucía Méndez and Jorge Martinez. It is an unusual example of a telenovela which addresses supernatural topics.

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La Otra is a Mexican telenovela that was produced by Televisa and aired on El Canal de las Estrellas from 20 May through 20 September 2002. It aired on Univision in the United States from October 14, 2002 through February 28, 2003. It stars Yadhira Carrillo as both Carlota Guillen Sáenz and Cordelia Portugal, identical strangers whose lives collide upon becoming involved with Álvaro Ibáñez. "The Best Telenovela of the Year"

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Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

A senior official of the Mexican political system decides to fake the capture and death of The Coyote, public enemy number one in Mexico, to make this happen, he cuts a deal with his family, who require a dead body to pose as a double. Topillero is responsible of executing the plan. But on this journey he is reunited with his wife and son, whom he abandoned years ago.

Life unravels when famous radio talk-show host Carmen (Sylvia Pinal) discovers she has just months to live. To tie up the loose ends of her life, she hires a chauffeur to drive her around Mexico City and visit her old haunts. But he does far more than that; instead, he gives her life a much-needed spark and shows her the road to happiness. Alonso Echanove and Raul Araiza Jr. co-star.

A naïve rookie in the Mexican highway patrol must adapt in order to survive as he contends with widespread corruption, dangerous drug runners and the consequences of his often morally gray actions.

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Rodrigo Zaracho, once a promising boxer, is in decline. While fleeing from a gang that is chasing him, he remembers his past.

In 2033, Mexico City is a hot, mechanical and chaotic megacity ruled by the military and a tyrannical government. It is an oppressed society with its religious faith and liberty of expression stolen. Pablo, the main character, is a young finantial yuppie that gets shelter in drugs and alcohol. He leaves his privileged life in order to help the unprotected and destroy the system that controls the population.

The Mexican painter Francisco Goitia, feeling his death approaching, manages to make a memory of his life: the reunion with his country and his people, his permanent search for identity as a man and as an artist and his struggle against the demons of the body and his subsequent religious conversion.

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In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)

Feature film located at the beginning of the 20th-century which tells the story of the town "La Esperanza", whose dying mining boom receives a fatal blow.

The human and divine justice are exposed through five real life stories related to the legal processes of a prison. The cases presented are: "I want to stay in jail", "Blood between women", "The raped prostitute", "The kidnapped policeman", and "Euthanasia or murder?"

The film narrates the discovery of the last great Mayan city, which occurred during the spring of 1946. It is the story of Charles Frey, a smuggler of archaeological pieces who upon hearing some legends about the immense riches that the jungle regions of southeastern Mexico keep, decides to go looking for him. After several months and a point of giving up, Frey detects some archaeological evidence of the Mayan culture, so he continues his explorations until he finds the majestic city of Bonampak.

Between chargers, noise and improvisedly placed furniture, a couple experiences a violent marital crisis, ignoring that they are observed by many characters that will soon face them with their own demons. Inspired by a work by Vicente Leñero, Gabriel Retes orchestrates a portrait without concessions of the hell of the marriage institution and love chaos, made in video format in 1990 and completed by the filmmaker more than a decade later.

Maria escapes from prison. On the run, she breaks her ankle. Julian, a truck driver, finds her sitting at the roadside, crying. He picks her up and takes her to a hospital. On her first chance, Maria flees again and goes to a hotel, where she ends up as a prostitute. She frequents bars and saloons, commits some robberies, but neither sex, nor the tequila, can replace love.